There is a flying saucer landing in Lisbon Rossio, after having flown over the Lisbon Coliseum nearby, causing the amazement of many who exhaust the concert hall. As a film within the film, the audience of 3D glasses posts accompanies the journey that Kraftwerk bring your space to Lisbon, in Portugal in the first presentation of his concert in three dimensions (which repeats on Monday at the Casa da Música in Porto)
The German quartet of time is this time, made signs that identify all – and the average age is public who was overseeing the work of Kraftwerk – but a classic record:. the computer Computer World is an Atari; Autobahn , Mercedes Benz is 1974 as the “beetle” and the van “bun” of Volkswagen; Models of The Models came out of a fashion catalog 1950s; and even spacecraft Spacelab is straight out of Star Trek
Nuclear energy remains a concern in the (rare) political agenda of the music of Kraftwerk:. Chernobyl already does part of the letter Radio Activity long, but the voice of Ralf Hütter now adds the Hiroshima Fukushima, Sellafield and Harrisburg. The fears of the 1970s have not disappeared, recycled up.
The Coliseum becomes a continuous barrage of minimalist movement in sounds and sound images, with musicians apparently reduced to mere figuration of greater projection, almost without moving clothed in facts that are reflective of shapes and lights that jump off the screen. Only the four craftsmen machines magnetize the bodies of the crowd in the room, showing the satiety that pop this electronic drinking fountain created in Germany in the 70s, staying in shape more than 40 years later.
The power station that is the music of Kraftwerk feeds the senses – and the vertigo of descents and sprints of cyclists feed the images of several presented
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