“ninety percent” of the cast of the next edition of Cannes fixed, and with titles to negotiate for the various sections of the official selection Thierry Frémaux, delegate general of the festival, announced in Paris Jacques Audiard, Matteo Garrone, Todd Haynes, Hou Hsiao Hsien, Nanni Moretti or Gus Van Sant for the competition, Woody Allen and the new animation from Pixar, Inside Out , out of competition, the Romanian Corneliu Porumboiu and Radu Muntean in section Un Certain Regard …
There are still titles to come public in the coming days. So even … and Portuguese? “By the washing of the baskets is vintage,” says the PUBLIC Luis Urbano, producer of The Arabian Nights , the movie more than six hours and three chapters of Miguel Gomes.
The opening, on 13 May, will be made, as already announced, with La Tête haute , Emmanuelle Bercot, a film that has Catherine Deneuve and Benoît Magimel, but lacking the usual condiments the “opening film” to serve the red carpet (by the way: the direction of the festival promises to “slow down” the practice “ridiculous”, the carpet, the selfie , the “ photo of lui même avec lui même “)
According Frémaux was a very stark decision to start with this film and not, for example, with Mad Max:. Fury Road of George Miller, Tom Hardy, or Irrational Man , Woody Allen, with Joaquin Phoenix (which are out of competition): to show that Cannes is perfectly open with a title that has the condiments of the competition, their codes and themes – in this case, juvenile delinquency, education (second collaboration Deneuve with the filmmaker after Elle s’en Va, in 2013)
. “Belle année française ,” according to Frémaux, it was difficult to choose, there were titles that were left out – the new Arnaud Desplechin, Trois Souvenirs de ma jeunesse , may be repescado. It will then be the return of Jacques Audiard ( Regarde les hommes tomber in the Critique Week; in competition tev and in previous editions A Prophet and De Rouille et d’os , with Marion Cotillard), this time brings a film without superstars, Erran , the adventure of a guerrilla Tamil in France, where he works as a porter; still Maïwenn (Jury Prize at Cannes 2011, with Poliss ), now with Mon Roi , which has with the main actress Emmanuelle cradle, the director of the opening film, La Loi du Marché , Stéphane Brizé, with Vincent Lindon, and Marguerite et Julien Valerie Donzelli.
The purpose of returns, two vendors of Palma Gold may enable to join the club of doubly rewarded with the maximum reward: Nanni Moretti, with La Madre Mia (yet creative doubt a filmmaker in crisis), Gus Vant Sant with The Sea of Trees on the meeting between an American who wants to commit suicide (Matthew McConaughey) and also lost, Japanese (Ken Wanatabe), both at the base of Mount Fuji.
And if it comes to return, hey you, Todd Haynes, best artistic contribution award from the Velvet Goldmine in the already distant edition of Cannes 1998 competes with Carol , Cate Blanchett and Rooney Mara. . It is the love story between two women in New York of the 50
Moretti is not the only Italian, the offensive is intimidating: Il racconto gave racconti , Matteo Garrone of, and La giovinezza , Paolo Sorrentino, film about old age (such as The Great Beauty was a film about the ugliness) with Michael Caine, Jane Fonda, Harvey Keitel. Behold the Asian: The assassin Hou Hsiao Hsien-(martial arts movie – or how Hou plays the genre, such as Wong Kar-wai interpreted it in Ashes of Time ) Mountains May Depart Jia Zhangke of (contemporary China, again, after A Touch of Sin ) Notre Petite Soeur Hirokazu Kore-Eda’s.
The Lobsters Yorgos Lanthimos of Le fils Saul Laszlo Nemes, Louder Than Bombs Joachim Trier, Isabelle Huppert with, Sicario Denis Villeneuve, complete the list of 16 titles announced – the selection could reach 20 in the coming days. Will be assessed by a jury chaired by brothers Joel and Ethan Coen and the next day the remaining jurors will also be announced. The Greek Lanthimos, the director of the intriguing Alpeis (2011), with its group of professionals characters make themselves go through those who have died to help the grieving family members, was highlighted by Frémaux: The Lobsters will be one of the mysterious event cases (“the kind of films that do not understand everything”), now humans are changed into animals
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