The word that best describes the Good Sounds One hundred Soldos is to travel -. Without being precise, even, leave the village for a minute that is
So wrote Fernando Pessoa, a poem with the same name: “Travel! Losing countries / Ser other constantly, / For the soul does not have roots / To live to see only “. He concluded thus: “So travel is travel. / I do it without my / More than the dream of passage. / The rest is just earth and heaven. ” Lavoisier , nothing created, but so well turned out the words of the poet in tune. Oh, it was wonderful
Good Sons infidelity
Talking Good Sons is talking about multiculturalism, but not only: it is also talk of infidelity. Calm hundred soldenses. Keep calm. Who told me it was the Sensible Soccers and I signed right underneath. “Perhaps the fact that this festival not to associate with any style of music is its greatest asset. Only in this way allows you to have such a wide audience. “
What truth. Sign in Cem Soldos is to see people of all styles to want to hear music of all styles. The hippies, hipsters, metalheads, the elderly, children and even animals. All are at the door: nobody here has a face, no one is old; those who have a life also leave. For four days only live, only feels and smells only Cem Soldos. Maybe that’s why it is said the lungs open the Good Sounds is so special.
So and excommunicate “entertainment for the sake of purity of culture” told spreads Facts , Luís Sousa Ferreira , the director of Good Sons. “If I can live life in limit, free of any disposition that entertainment causes why should not I do it? “ adds.
According to him, despite the increasing emergence of other festivals with the motto to bet on Portuguese music is quiet by the difference in treatment that the Good Sounds has for Portuguese culture.
“Living the village is to bet on Portugal and absorb what do around here, “ explains. Partnering with “Portuguese Music to Enjoy Her Own was not inevitable, but important to immediately be able to show another side that often escapes us but Tiago (Pereira) does as well.” The the environment that you live in the rest of the year, the Good Sons also had an important role in “raising ambitions on the part of people who want to show through the culture.”
Stage MPAGDP
talk about a festival written in Portuguese is talking about who both works to preserve. – music Tiago Pereira , from 2011 to listen to and record old ladies (and not only) to sing all over the country chooses not criteria as the main criterion for your channel – not is the freedom the best of the criteria – to archive all sounds sung in Portuguese by that country out
Thanks to him the meeting generational is inevitable on stage MPAGDP (the Music. Portuguesa Like Her Own) and becomes also a major feature of the festival. from the Adufeiras Paúl to Alentejo Sung, past the rookies Tunos and John Tempera and your shadow .
Speaking to EF director takes “removal of any kind of hierarchy and any kind of headliner” and stresses the importance “of the festival is creating an eclectic crowd that will not the Good Sounds just to spend time but also to meet the near artists.”
Another factor highlighted by him focused If the “literacy musical memory. Since the Adufeiras Paúl to Tunos , “the great spectrum of Portuguese musicianship – and not just the traditional – is present there so you can be heard and felt by more than 30,000 festival-goers who pass there
This partnership which has lasted five years, shows confidence in Tiago Pereira project that addresses the Good Sons as “festival”. By culture, by Portugal and above all the people. What good is having someone to listen, to give voice and treat equally all people – perhaps that’s what missing in this world:. Listen more to others
Stage Garage
from inside the church to the garage. We have everything here in Hundred Soldos. Smiles smiles – some still made from milk, other hairpieces already – arrived on stage garage to listen to those who want to play
Yes, it’s true.. This is a festival where even I was losing my mind, I can sing my skills bevel flute player. Fortunately, did not take the case, but gave up another much better: have heard Just Under (a land of the band) and there was still hearing aid to hear some elements of the First Breath After Coma show what they are capable. But the stage was there, often free, to those who wanted to grab and have a few minutes of fame.
Stage Late in the Sun
The sun hearkened from above all the changes that occurred on his favorite stage. And here I have to stop two minutes to take a deep breath and remind me of what there was sung and played. The audience, now sitting in the shade, now standing in the sun, anesthetized with music to fight the thirty-odd degrees Celsius (nearly forty) that were felt during the four days. The stage afternoon the sun saw the Indignu – dedicate you a few more following words – Few Fingers , the extraordinary man the drum Tiago Pereira , Tim Tim By Tim Tum and the jazz of Desbundixie .
Where clouds cross , .! raining fire stones from heaven what strength what force had hands Afonso Sore and company to chant and acclaim to the heavens asking the God of Music a place for them – they both deserve . a performance in catharsis, chilling. the faces of those watching closely to this piece of art were still without any kind of thinking than to enjoy every note as if a gift they were. in the end no one wanted darkness, no one wanted anything but inspire deep and try to realize what there had happened. that this North Sea is always with us for many years, Indignu.
all the activities that this stage met the best relationship with the public was undoubtedly Tiago Pereira -. the master drum music is also this In front of the chapel. the act was only a man and a drum and was not so ceased to be the best concerts that afternoon the sun allowed. Led the audience chanted their Idanha and even a boy called to the stage to dance with him. He gave to all that the artist wanted.
The Sun stubbornly refused to give truce nor the hot wind that was felt . in recent days was airing the air the ribatejano climate is contrived but the hundred soldenses fintavam heat as Éder dribbled past the Koscielny in the final of Euro -. and was also with him who sang the such song when the beer began to ferment
Between concerts visited and revisited the village say that when we fall in love for something, it always seems the first that we see – and yes, perhaps that:.. passion talk about Good Sons is talking about sustainability, is to talk about old men and old ladies to dance in the first row the Chick is speaking in spaces dedicated to children, in open spaces for animals, but it is also talk of Tixão. Tixão, Tixão, Tixão. Oh, my Tixão (the traditional drink of Good Sons).
Blessed be the cellar of St. Peter. talking Tixão is also talk of the festival spirit. “Where before we were treading the grapes and were packing cereals now sell to traditional drinks to about 32 thousand visitors that the festival received over the four days “, told spreads Facts Alexandre Santos hundred soldense yolk, and member of the communications team. But he added: “the festival is built mostly by the villagers bringing our dedication and passion to give our best. It is a pride to see Cem Soldos crowded “
Enter a Tixão and Charolina. – Another traditional drink – found Mr. Carlos all rushed to ” go eat a piece of cake in instantinho home “. After all, being without dinner until two in the morning is no easy task – but him: “ Dining I forget the joy that I walk these days”
Stage Giacometti
Majestic. My subjective attraction to gazebos dares to say it will be one of the most beautiful stage of all Portuguese festivals. And it is quite capable. If Míchel Giacometti yet to record the sounds of Portugal certainly visited the Good Sons every year. The stage that stole her name received artists who filled her measures. On the first day the Get Monster and Birds are Indie.
The first with its fine rock instinctive. I say fine because you never know if it works or not, and I fear that this case has little result. The new album Carob were to sing the songs White and No Can and despite the irreverence shown the Julia and Mary sisters were somewhat nothing short – perhaps because uncle B Facade walk us to raise too many expectations
of the seconds waiting for a calming down and loving covenant: and so it was.. Despite the lack of audience, since many people took advantage of the late hour for tucking the stomach by pubs and restaurants dotted around. But even that has come to take the shine off the Coimbra band.
On the second day were the Lavoisier and Grutera step in and so many other ones as fulfilled. Lavoisier interpreted timeless songs like Look Good Zeca Afonso or poem Travel People and the public sitting would nodding in way of approval. Grutera strummed as well the notes on the guitar – almost the way Indignu – which easily held everyone’s attention. Album Sur Lie have heard the If you do not become, come back and let me go.
On the third day rose the bandstand Dear Telephone and your indie pop to an audience that was gradually growing – the heat attracted festival-goers into the shadows and the ice cream that were sold there. Little was after 19 hours when Isaura managed the feat of filling all the little bits of space around the Giacometti – the organization had eaten to expel the laziness of the public and force him to raise such was the flood – for the concert to fill the measures. Your EP Serendipity not failed one: Useless, Lost, Dancefloor and You’re all my (heart).
For the last festival day that still seemed the first gave voice to the stage sympathetic Golden Slumbers and spiritual Lula Pena. The sisters Hawk gave perhaps the best concert of his career – who said it was the D’dawn (here) and I agreed immediately (also said all that the Good Sons represented ) with their songs the way of a good folk – but well sung – and with their energetic interaction with the public. Highlighting the range Mourning Song.
Stage Eira
The sunlight tended to hide and the horizon an ancient painting was appearing: was the Portu- sunsets and was also lit church at the top. We were going to run to “was” to eat a (divine, say) black pork sandwich and drink a cold beer to ward off fatigue the legs wanted to show.
There, in the more spacious stage festival, were heard during the four days, some of the big names that have passed through the village: Best Youth , Sensible Soccers , SLUDGE The Chick , Keep Razor Sharp , White Haus and D’dawn .
on the 12th, the 22 hours, ascended the stage sensual double Catherine Salinas and Ed Rocha Gonçalves and love happened – except be – among the crowd that filled the spaces of Eira. The band traveled from their latest album Highway Moon with the themes Mirrorball and Red Diamond to be sung in unison by the audience. However, the surprise was for the music version of Never Tear Us Apart the Inxs.
The concert of the first day was to the north and the band Sensible Soccers . Ah! And what good it was in Villa Soledad. Besides the award for probable festival concert still take another, the sympathy. In the first adventure in this “ different festival and flees to the big brands,” the enthusiasm of the band was evident and “its importance for the Portuguese music as well as for other festivals” it was one of the factors highlighted. “It’s a good showcase for music because it covers your whole spectrum” added
As for the concert:. My feet broke with pain at all costs and continued to hit the ground to raise dust. My and all the people who danced and in a gesture of enthusiasm, dropped his arms in the air to celebrate the freedom that beat imposed on them in the body. From the Villa Soledad there was much as expected, but it was in Shampom that more dust rose in Eira
By the way.: if Sensible Soccers had a shampoos inspired by Cem Soldos would smell “hay” . And who was there and realize why. If you thought the festival was over here, are mistaken. There was still time to visit the album 8 and to send out here the AFG . Maybe 9 minutes well spent in any festival stage.
The next day, the highest stage of Good Sons had a special band. the Renato Sanches Hundred Soldos – they prefer to be John Mario , but like embirrar – raised the loud alternative rock and the curious wanted to know more about them
If in. major premieres nerves are the worst enemies, then SLUDGE seemed to make this the year. With clear references Linda Martini and PAUS did everything well -.. to a cover of Carlos Paredes they were
the audience, mostly composed of friends and family of the band one Hundred Soldos sang until he could no longer and the Good Sons gave it to them “a little push.” ten years ago, when the festival began, Bernardo was 10 and helped the “buffet serving people” , John was 12 years old and not be one Hundred Soldos only “via the older sister” to go to the festival, Carlos was 19 and was a volunteer at the festival and John – who shares the talent with another band of land, the just under – was “in the prime of life to enjoy the festival”, also with 19. the concert cute boys Cem Soldos I stress the interpretation of songs People and Fugue. A band to bring an eye.
The Chick and Mike el Nite potentiated one of the busiest and lively concerts during the four rich days. And that was it. The forced attempt to communicate with the public in English has become a negative – not to mention an exchange of words with more lit the front row, a little attitude to her Good Sons. The main songs like Do the Clap and Do not Touch My Soul were sung and danced by the majority.
Keep Razor Sharp not surprised but complied. Their self-titled record date of 2014 and much of the concert was removed from there. Already in White Haus, the setting was different and much more sweet. André Vieira – a member of the Sensible Soccers – went back up to Eira stage to launch with the rest of a instrumental band and quieted voice for a while. The interaction with the public was one of the gains of the concert.
About repeaters D’Alva much to say. From Tame Impala through Dina and ending at Linda Martini . It was so good that we lack words to describe the show Alex D’Alva Teixeira and company gave on stage. A show within the show. If the stage was a football field, the artist had been the player with the most kilometers in the legs at the end of the game. The concert, to the delight of all, ended the song Frescobol and there was even time to sing congratulate Good Sons. That irreverence, very free, light and loose
Stage Lopes-Graça
From aol have nothing left and was the moon -. Almost, almost full – I heard from above the stage of the concert that honors one of the greatest conductors and composers that our country has. Carminho, Deolinda, Jorge Palma, Kumpania Algazarra, Fandango, hidden Dances + Orchestra Borders, Stone Soup and Cristina Branco are the names that trod.
Carminho with his fate that is not fado filled Lopes-Graça but not filled our measures. The Lisbon sang several issues of his three albums as Exit Round , Good morning, Love and My feathers. The public-entertained with insonso fado and the concert continued as expected.
Deolinda had a little consistent performance and needed to use a Old and Dj to grow back on the show. With music little known the silence that was felt disturbed the performance of the band and who watched, becoming worth of Fado Toninho Be Now A against each other and Fon-Fon-Fon to revive the public.
Dances accompanied Ocultas of the Borders Orchestra gave a beautiful spectacle for an audience sitting in articial turf Lopes-Graça, who heard a waltz, some tangos and some fandangos well achieved by the band.
In Kumpania Algazarra was delirium. A show that ran various musical styles from around the world and resulted in a lot of sweat and run on stage with the crowd to join the order of the band. Soup Stone and Cristina Branco won an early part of the enthusiasm to learn more about both projects, but resulted in disappointment.
Jorge Palma proved to be there for the curves and away again all prejudice unjustly the copper. guitar entered the hand and gradually eventually grow to the public, encouraging him with his humor. Sang tucked some of these timeless: came to Fragile, Hill yourself to me and let me laugh; . and the audience always responded with signs that wanted more a little songs
At the end of the night, the wind bothered and many resorted to more warm wool to combat it; others preferred to drop. The DJ came onstage Aguardela and many, even away from the identity of the festival, managed to pull the dancer next to each one.
When the last song ended was homesickness and want to come back every year the Festival – and violate the capital letter – of Portugal. Something this country is doing well so in Cem Soldos alive if celebrate and breathe Portuguese music ten years ago. The decade that brings the back gives it a maturity and a different way of feeling and showing the Portuguese culture.
As we said the director of Good Sons in Hundred Soldos, “people They do not come here to be entertained but to live, in fact, the village “. And it’s the biggest compliment you can make the festival that makes us feel at home and makes us feel so good. From today, part of me is a hundred soldence not only in August, but throughout the year.
The Good Sons in numbers
50 memorable concerts
204 musicians not forget Hundred Soldos
20 spontaneous performances on the Stage Garage (public)
32.000 visitors involved by the spirit of GOOD SONS
105 journalists and representatives of the media to monitor all live
400 volunteers of a team that selflessly planned, communicated, produced, assembled, (will disassemble) and solved all the vagaries of GOOD SONS.
the photographs were taken by Goncalo Almeida.
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