who sings scares away his woes. But not Cat Power that tonight bipolar emotions in CCB, if bewildered by hearing herself in echo, like its ghosts to chase her – even if there were technical complaint of reasons by those who heard.
It was two hours and nearly thirty songs of a roller coaster, neuroses to take turns up with a raw talent that gave him a huge voice and folk-rock songs portentous. Cat Power appeared in CCB in a state to Jorge Palma old, alone on the electric guitar and piano, almost failing to big for immediately afterwards to snatch after almost failing to big to follow soon snatch. The hinder speak up and create discomfort, singing and playing become supreme.
Cat Power comes on stage with an electric guitar to smoke fotogenicamente, from a cigarette stuck in the instrument head . Get almost indistinct tangle of songs, interpreted with a degree of freedom that only loneliness on stage allows. The margin is so much that goes into the songs by the unorthodox plaintive Chan Marshall repeatedly requesting more sound to his two microphones. The greatness of Fool is such that it makes an automatic delete the unusual time of the previous minutes, but not in Cat Power head who drops the guitar and goes to the piano in a muttered whimper, as if in an endless line for finance and not a stage with full and sumptuous home.
You Are Free album falls that not cherry model in this lonely path between the electric guitar and the piano, and so is the most awarded album of the night, unlike the last over, the more e-Sun, or a song that earned the alignment in the CCB. Besides Fool, they listened to the piano Names and I Do not Blame You, and guitar, He Haw and Werewolf stripped of arrangements of folk ropes that mark in the studio version. As the night was for a few conventions, Cat Power reverberation It complains over that same sentimental golden mantle of Maybe Not.
Back in the longhaired, Cat Power may have a wider figure, but the beautiful and charming remains intact. Listen to him the beating of his boots on stage and a huge moan a lot of noise to the songs, but also loose the desire to “happy Halloween” in the night of witches – with some masked in the room. Cat Power is the antipodes of coldplayzação which has abetalhado rock. Here the music is felt on a knife edge, the good and the evil, with the extremes to touch up.
When Cat Power suddenly turns with urgent air to the various sides of the room less for roles lined up on the piano, a song stops and throws a water bottle to the ground. New claim against your eco, new apology, this time because of its poor projection of the voice. . The public disagrees and supports it, not going to happen a stage of abandonment that seemed imminent
As this is Cat Power, there are many versions: What the World Needs Now Burt Bacharach; Remember Me Otis Redding and Paths Of Victory Bob Dylan almost pass for his compositions. The Greatest is the same composition and deserves your immediate hardly hear the first notes typed applause.
Cat Power returns after the guitar and sighs, changing the support of one of the microphones by the various points of the stage while strives to sing. Listen to powerful songs and giant riffs, the most eloquent of them the old lady, since the 90s, Great Expectations. The two-hour concert ends with the vocal solo Moonshiner (here on a grand scale folk) and the bilingual Framboise Je T’aime. Cat Power delivers the paper alignment to a fan and tries to make a farewell speech that quickly descends into a long apology and after an emotional catastrophe. The public, confused, does not know how to react and end up cluttering between espectactores seated asking encore, some standing in the aisles, and other hastily to disband. Everyone blocked before so revels. The unusual bright.
According to the strange night that lived in the CCB, there was a little-publicized first part, in charge of the draft electronic Appaloosa on stage is only one Anne-Laure Keib singer. Click on the Mac mouse, drink the bottle of water, little action action … Anne-Laure Keib. The effusive applause at the end have a corrosive sign of relief
Gonzalo Palma Photos:. Vanessa Krithinas
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