From room to room, you can not stop the Vodafone Mexefest . Each end concert there are others who already waiting for us and the musical chain, even not always making the most of the senses, it makes this a unique experience. That says who crossed calming Nicolas Godin , the hurricane Peaches or the “anything goes” the huge Patrick Watson .
The last night of Vodafone Mexefest in 2015 was marked by many concerts of Portuguese bands. In Vodafone Black Out Room, Benjamin gave darkened music for those who like to experience new sensations, the Delta Room Foz Palace Salvador Sobral challenged to more jazzy sounds and Garage Epal Flamingos showed their gentle songs.
One of the biggest names of the festival however occupied the Lisbon Coliseum , room that proved too great for schizophrenia that Ariel Pink and company took up the stage. With a sound initially very doubtful (room fruit half gas?), A vast entourage on stage to invoke a certain psicadelia, only in the most pop sounds of pom pom edited solo album in 2014, it seemed to notice the voice Ariel Pink .
It is essential to understand what he has to say. A society that does not fit and the oddity that the feature is more noticeable when you come with iphones, selfies and clouds in Picture Me Gone or when speaks of his “ gipsy heart “in the trendy Put Your Number in My Phone . The themes of Ariel Pink’s Haunted Graffiti also present but the arguments were unable to hold the audience uncomfortable if unable to fit in the dreams of Ariel Pink. A pity.
But as there were more expectations to see fulfilled the race was made to listen to Nicolas Godin , half of the seminal Air , presented its baroque experience Contrepoint , half reinterpretation, half re-creation, themes Bach that invited to a journey in time in sumptuous room Tivoli BBVA . Sounding the orchestra – and at the same is a project that wants to do. – Monitoring on keyboards and drums with guitar arrangements marked one that was possibly the most challenging concert festival
But already Peaches set fire to the stage Tank and sweat and other fluids that there are dropped could have possibly filled the old pool. With a breathtakingly own performance on stage was thirty by a line, while presenting RUB . Not alone, since inflatable dolls and the Portuguese The Chick , which had acted before there even gave a hand to the exoticism of Peaches .
At the door side however the Lisbon Coliseum was filling for the final concert of Vodafone Mexefest to receive the cherished (and affectionate) Patrick Watson . His was the most beautiful stage festival (with lamps illuminating each of the band members), was it the backing vocals more sweeping (greatly to enriching their subjects), was it a surprise to see an megaphone band and saw singing the grandstand of the noble Lisbon room.
Despite the emphasis on their recent album, Love Songs For Robots , Watson strutted about for other discs, providing a cohesive concert, intense and absolutely dedicated to the audience to clap (sometimes too much) and chanting choruses and choirs. For their part, a lot of love, admiration and a voice tremendous that even the megaphone or just around a small microphone with the whole band (for Man Like You and Into Giants ) does not fail a tone.
And the laughs, those childish laughter, make hearts melt. Also why have heard many declarations of love and there was even a bolder fan who jumped the galleries and the embrace was the tribune where he sang, as the encore, Man Under the Sea . And when many had already left the room Patrick Watson returned to alone at the piano play To Build a Home , topic on which he collaborated with Cinematic Orchestra and the general feeling was that was voted the festival concert.
Citing Portuguese PAUS , “the end is any principle” and this was the last festival of the year, begin preparations for 2016. And the The Sound of Music has said that the Vodafone Mexefest will have for the year new ingredients. There.
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