In between a disjointed but interesting, Ana Moura’s appearance that, as a special guest, sang a fado with a heavenly skirt, mermaid. As appeared, it disappeared. And the public continued to give his choreographic performance.
After passing by the White House Farm with Da Weasel and last year, with 5-30, Carlão presented now in his own name to publicize his solo album, “Forty”, published this year. In fact the sleeve “gentleman” that took the stage was a female string quartet, Dino D’Santiago and Sara Tavares, besides the faithful companions of DJ Glue road, Gil Pulido, the keys, and MC Bruno Ribeiro.
The watchwords that serve as introduction to the album were the first to be charged before they arise “Between Heaven and Earth” and “Clouds” with Dino D’Santiago to be greeted with a warm embrace . The string quartet gives solemnity to the songs and fits symbiotically with the subjects, making us forget that this is a unique moment for the festival.
“Central Committee” comes preceded by a confession Carlão on adolescence and a scratch DJ Glue, which would again take time to shine throughout the concert at strategic interludes. A festival where electronics have been queen, Carlão did not fail to have a sting in “pen DJ” as opposed to scratch “old school” practiced by former crony of Da Weasel.
If the letters of “Forty” reflect the critical spirit of Carlão, on stage the words are thrown in contrarian tone against forgetting: “If I speak of BES, GES, Socrates, have something to say and the BPN, you remember the BPN ? ” Public reaction gets warm – or we were not between a mainly teenage audience -., Warms up and opens the door to “White Collar”
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