The Dead Combo accepted the challenge that every year the Big Bang is the musicians of different styles to create parts for a public between four and 12 years. Thus, in this 6th. edition, the group makes known The City Deep Sadness , “a fable about the power of music” and resulting in a “show of shadows in which musicians, puppets, scenery and objects are an imaginary speechless, full of musical notes “, describes the program.
There were more Portuguese artists invited to reflect on” how to listen to children and imagined the can keep involved throughout the performances, “says the PUBLIC Madalena Wallenstein, coordinator and programmer factory of Belém Cultural Arts Center, and lists a few: “The composer and pianist Filipe Raposo, who joined the artist António Jorge Gonçalves [ 4 Hands ] Filipe Faria and Tiago Matias [ Babel or When All We speak the same language ], which bring in Renaissance songs of the Iberian Peninsula, Joan Bagulho, harpsichordist who created a quarter of musicians with his daughter and illustrator Beatrix, and Sonoscopia [ INSONO ], which comes from port with a new interactive installation of sound objects “
The first day of the Big Bang -. Music Festival and Adventure for Public Youth – Friday – is always dedicated to schools and the second Saturday at families. Portugal was the first of this partnership of seven European countries to insist that there was a day just to schools, ensuring access to many kids who otherwise would not have the opportunity to watch this type of shows. “It’s our defense of democratic access to culture,” Wallenstein said during the preparation of the previous edition, had a load factor of 93.2% and issued 5400 tickets.
The Big Bang began in 2010 and “proposes itself as an innovative and exciting programming space when it comes to artistic creation for young audiences.” Premise has a “very important” that Wallenstein want to stress: “This is to provide an artistic enjoyment experience. There is no one to explain or translate whatever. “
The festival’s structure remains unchanged,” but there’s always a huge surprise in content, “said the organizer, noting that” in each room is guarded new to reveal, and the generation Big Bang already know that. “
However, this year, there is an entirely new project that is also being developed in the festival editions in other countries. Are the ambassadors Big Bang: children who are part of the communications teams of the participating institutions. “In Lisbon, the ambassadors are ten children and young people from eight to 13 years after an elapsed training in September at the Arts Factory, coordinated by journalist Ines Fonseca Santos and the director Pedro Macedo, formed a solid team of reporters. For a week, everyone could wear the skin of a journalist, director of cameraman (or camerawoman ) or sound technician, “explains the coordinator of the Arts Factory in email.
Account yet, “the week before the festival and during the event, the ambassadors Big Bang are on the ground interviewing artists, public and CCB teams, as well as support and welcome public festival “.
EU Increased funding for the project enables” invest much more solid form in artistic creation in each country and presented Programming “and” provides programmers circulation , artists and their projects by all countries in the network. ” This movement, according to Madalena Wallenstein, “promotes debate around the musical innovation for young audiences.”
It gives as an example the possibility that they had this year received two nomadic projects, “a proposal that is invited an artist from another country to work with a group of children or young people of the host country musicians. ” One such project is the Hop Frog, “a fanfare of musicians who came from Belgium and that is for a number of days working with our Jr. Big Band, made up of young people between 15 and 18, to present a show CCB in the Auditorium “(Saturday, 17h). Madalena Wallenstein concludes enthusiastically: “The meeting between them was explosive and transformer and this will be felt in the show.”
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