They were 20,000 people in the space between the Meo Arena and the tab of the Pavilion of Portugal that delimited the Super Bock Super Rock venue in its new incarnation in Lisbon Park of Nations.
When the clock has confirmed that lived at dawn, that is, when the festival was accelerating in the final stretch, we risk that these 20,000 people were all, even all inside the Meo Arena. That was the finding to do when percorríamos to look at the full stands and the crowd also filled with people waving the bracelets, one of the many gifts offered by the brands associated with the festival, which lit up and flashed to the rhythm of clapping.
The last day brought Unknown Mortal Orchestra or Band Sea, under the visor; or brought D’Alva We Trust on stage Antena 3 near the outer staircases of the former Atlantic Pavilion; He brought Rodrigo Amarante, who signed intimate concert for a few hundred in the vast space, nothing intimate, Meo Arena; and brought the concert that joins the Franz Ferdinand, pop XXI century heroes, to Sparks, cult legends of 1970s glam However, everyone seemed to be there for that moment.
If there 20 000 people on the last day of Super Bock Super Rock, have to all be here now to see Florence + The Machine Florence Welch and applauding while she runs the stage from one end to the other, while dancing and jumps off stage and runs again down the hall that opens into the audience while singing Shake it out in your white dress good witch (pop).
The music has no major secrets. Grandiloquent songs are ideal for large spaces, made of choruses of epic tones, also ideal for Florence Welch free your vocal range. By Meo Arena began yesterday’s classics ( Dog days are over near the end, the aforementioned Shake it out to start) and spent the recent news How Big , How Blue, How Beautiful (sprinkled alignment Ship to wreck , What kind of man or Delilah ). Give alignment account, but little explained. The Florence + The Machine were not expecting much of both public and so much euphoria, and corresponded, unarmed, to the energy that was offered to them. Florence Welch embraced the audience in the front rows, received the crowns of flowers placed on his head. He smiled very, very happy, and infected by the reception, a dynamo seemed incapable of a second of serenity. Their songs, as we know, are always bombastic, with choirs to magnify the main line voice and drummer with hot foot on the bass drum pedal treads. Florence took the stage in the same tone.
There was a brief quote from Patti Smith, with reference to People have the power , and incitement to the public to liberate the night – it was that she did, waving his shirt long sleeves over his head as he ran up and down the hallway before disappearing from the stage. At the end of Encore , thanked once again moved the reception. This is not the Aula Magna as the premiere in Portuguese stages. This is a whole festival there to see it. Music can not be particularly memorable (efficient pop in their crescendos, well-defined and served by an expressive voice dynamics), but it is undeniable that Florence Welch and the band that accompanies know fill up a stage and grab a crowd. In popular acclaim, it will be the history of the edition 2015 of the Super Bock Super Rock. Her and the band that preceded the Meo Arena.
Scottish and American Convivio
FFS !, ie the four Franz Ferdinand and his brothers Ron and Russell Mael, the founders of Sparks in 1971. A fruitful meeting between anfetaminado rock’n’roll of the first and the operatic glam-rock of the latter may have seemed complicated task on paper, but if the album that they released this year already shown the error in falling this doubt, the concert we saw them, balanced between the songs from the new album and music drawn to the discography of each of the bands, proved eloquently that the interaction between the Scots and Americans should be dear.
The post-punk nerve and the pop sensibility of Franz Ferdinand contaminated intricate creations Sparks and glossed of Do you wanna or Michael , the first to This town is not big enough for the both of us , the second, with the joint work ( Collaborations do not work , Piss off ) through – hear everything as if it were coherent and joint work of the six on stage
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