To propose the Marmozets the seven and a half with his bare rock metal innocuous bothers more ears than captivates one’s attention. Arrive at nine in the evening and watch the Australian Sheppard to try out the only exceeded anonymity when they touch the radio success “Geronimo” entitles interesting comments like this that we hear on our side, “Geronimo ?! Shovel, then will play the Avante Festival “.
Only the ten-thirty at night we saw a crowd gathered to worthy focus of the US stage greatness. Unfortunately, Mumford & amp; Sounds are already a longing for themselves. They triumphed in the same event in 2012 at the height of popularity of the album “Babel.” They took a change of direction presented in the recent “Wilder Mind ‘drive.
Only they seem content with the new aesthetics, the public proved to be indifferent to the new songs and just celebrated the issues that recalled another passage of Londoners there. We doubt leaving this labyrinth with great vitality.
So were the Prodigy veterans to offer a decent concert great space NOS Alive. They never fail when called upon to fire with heavy beats, aggressive rhymes and themes that marked the 90s and which survive today. Keith Flint still possessed on stage, despite almost 46 years, Maxim Reality does not give rest to anyone and the infernal machine of loud sounds leave the audience, eager to party and challenge, sated.
In five songs in concert start were sighted several flares and other pyrotechnics in the middle of festival-goers in tribal dances and uncontrolled. It was the best response to the hymns ‘Firestarter’ and ‘Breathe’. The new album of Prodigy was only a pretext for an adrenaline release celebration that still had not seen in that space.
If the points of interest of the Stage NOS were few, Heineken and NOS Clubbing tent offset along the day.
Triumphal passage of some of the most interesting musical projects that Portugal has to present today. All with new discs, all with generous and knowledgeable audience. Moullinex in band, infected the tent with the recent “Elsewhere” duly approved by the dancing crowd to the sound “Take a Chance”, single irresistible this year.
The Beat Pedro Coquenão is more alive than ever. Passers by Clubbing stage was infected with African sounds and joined to the audience that celebrated the most recent proposals for “Two”. Tourists could not understand the lyrics but loved the sound and the environment.
In the evening Clubbing stage received a massive flood to hear Capicua. Even in physical hardships, Ana Fernandes gave no truce and grabbed the crowd from beginning to end. Jack appeared as a guest and called for Capicua does not deviate from the hip hop National. We reiterate the request. The reception of festival-goers speaks for itself.
The best of this second day was saved for Stage Heineken. Something that is very recurrent over the past years in Algés Festival. This time were the Future Islands to register your name among the big winners in the rich gallery that this tent has guard.
incredible Concert Samuel Herring who heads the North American band. Total delivery of the singer in total harmony with the crowd that showed know the work of the Future Island. A great concert was to highlight the passage as ‘Seasons’ theme that opens the disc excellent “Singles” last year. One of the performances that marks this edition of Alive and is asking for return in his own name.
The surprise effect on James Blake is no longer great because London has won its place in the very public preferences discovered in previous passages around and in his two albums released in 2011 and 2013. The strength of almost intimate tranquility to impose to the sound chaos that sounded there in the background on the stage of Prodigy came to win a wide audience who did not spare affection Blake. Easily one of the best musical moments of Alive 2015. A confirmation that recommends new visit but a concert of his own.
To end the long night in the largest tent, a lot of expectation to review Róisín Marie Murphy. It will be the eternal voice of Moloko despite the already distant and successful solo career. Perhaps for this reason, the end result was not as effusive as expected. Festival-goers wanted more well-known songs from previous records and not so much parade of “Hairless Toys”. Or a modified “Pure Pleasure Seeker” raised tempers. Róisín gave what he wanted and indifferent to the expectations fun on stage.
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