Saturday, October 31, 2015

Theatro Circo: Semibreve Festival shows to arts students – Correio do Minho

Theatro Circo: Semibreve Festival shows to arts students

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Many students gear yesterday had the opportunity to contact with some sound artists and their facilities purposely designed for the Semibreve Festival taking place in several areas of the city, including the Circus Theater, and Casa Rolão GNRation. Concerts promise to attract more than two and a half thousands of enthusiasts for three days. Students of Visual Arts High School D. Maria II were the first to enter yesterday at Theatro Circo de Braga, just to enjoy some of the art installations brought to the city as part of this festival.

Vitor Joaquim is a the sound artists who has any of its parts in which demonstrates the sound emanating from the cork through amplifiers used for example for the guitar. “This piece is, at heart, a call to contemplation,” he explained to arts students of D. Maria II. “I tried to create through it an atmospheric environment based on delicate sounds and produce a plastic result, which enables the plumb time exploring the microsom – what a nonsense when we operate in a music festival – but for me, as an artist, . makes sense “

One of the parts that most caught the attention of the students is entitled ‘Gamult’ and was brought by Digitopia – one of the Casa da Música in Porto departments. José Alberto Gomes, the representative of the House of Music, explained that it is “a robot with an interface that allows it to tap the touch screen make sounds r sounds in ‘Gamelan’ to which it is connected and which is a traditional instrument from Indonesia.”

Adelina Lopes, a professor of arts, says “this contact of students with the arts is extremely important, because in Braga not that abound both events of this kind,” he said. “On the other hand, this contact encourages the creation later when the students are in the creative workshop”.
 Luis Fernandes is the programmer Semibreve festival – only in Portugal, but European and global dimension. – Highlighting the importance of involving school communities in the program as a way for them to capture the attention for these contemporary arts

“This year we made sure to involve school communities of the city, invited them to contact closely with the artistic exhibition creators of today, giving them an overview of what this digital arts and contemporary art, and indeed is so often arise ideas for a possible work that these students will develop and build later, “said Luis Fernandes. The Semibreve programmer reaffirmed the high expectations of public support to the concerts of the festival, passing through more electronic music to more exploratory and simultaneamete, the digital arts.
 “This is another way of consuming culture, which is very public, and in Poertugal held in Braga, but already has a great success,” he said.



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Pedro Cabrita Reis rides home in Coimbra – publico

                 

                         
                     
                         
                     

                 

 
 

The die was cast, somehow: the old refectory of the friars of the Holy Cross Monastery, a room of about 500 m2 dating from the sixteenth century, was transformed in the 1990s in a room exhibition – the City Hall – but was closed and needed to be revitalized. The launch of a new biennial of contemporary art was seen as a good pretext for this action. Hence for an invitation to Pedro Cabrita Reis was a step “easy and obvious,” explains the PUBLIC Carlos Antunes, artistic director of the biennial of Coimbra that this Saturday opens this town classified as world heritage.

“Pedro Cabrita Reis is an artist working time as a continuum, without breaks between the past and the present. In it there is no difference between the ancient and the contemporary, there is continuity in time. Plus it has a great capacity to reactivate materials that may seem obsolete. “

That’s what Cabrita Reis made the old City Hall, making it temporarily n ‘ The House Coimbra , one of more than twenty exhibitions, installations, interventions that make the new biennial program, which spans 23 different areas of the city -. and will run until November 29

We entered n ‘ The House of Coimbra a few days before the inauguration and we found ourselves deep inside the world of Cabrita Reis: under a secular ceiling with a large dome pouring manufactory cut veins, and within four walls decorated with traditional blue and white tiles, the framework for an exhibition gallery was literally gutted and transformed into a new labyrinthine sculpture made of plywood boards on “wound” exposed and open to various readings.

“It was a very rewarding experience; a brutally hard work, both emotionally as creative, “explained the artist to PUBLIC by telephone a few days before returning to Coimbra to check in situ the final lighting, and participate in” Opening “.

For three days, Cabrita Reis worked with firefighters and carpenters of the city, which with a chain saw and other implements realized what the sculptor was thinking at the time. “I made no prior design. When I saw the place, immediately I knew what he wanted and was going to do; is the work that shows us own thing, “said the artist, reminding have already carried out a similar intervention in Maastricht, in a building designed by Swiss architect Mario Botta.

” Make this deconstruction-construction gave me one enormíssimo pleasure, and that it is a MO that touches me deeply touches me every floor of the body: physical, psychological, emotional …, “he added. And Cabrita Reis justifies the designation The House of Coimbra by association and continuity – it’s one of the series characteristics of his work – with two projects held this year in France and Italy: the Home Saint Etienne and House in Rome , is still currently installed in the square outside the MAXXI. – National Museum of XXI Century Art

“The house is a place from where you see the world, is not only the place where you are and live, “explains the sculptor, making the parallelism with the present intervention in Coimbra, where he wanted to take” a precarious side and labyrinthine “in a room is “a palimpsest, an authentic gallery of various eras and cultures memories” – remember that it was in this room that the pieces were found d ‘ The Last Supper of Hodart, a treasure of Portuguese sculpture however it was restored and is now on display at Machado National Museum of Castro (MNMC).

In addition to providing the two-year program with a reference signature of Portuguese contemporary art, “the” creative deconstruction ‘of Peter Cabrita Reis revealed and allowed aware of new things hidden and on the history of this area, such as tiles and columns, “emphasized the PUBLIC Carina Gomes, councilor of the Chamber of Coimbra.

The work of the sculptor will Moreover, remain open to the public until the end of the year, going beyond the biennial calendar. “In January will be removed so that the historical profile of the room is restored,” said the mayor.


                     
                 

                     

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Cat Power among survivors – publico

                 

                         
                     
                         

                 

 
 

Not always your responsibility, but the Cat Power passes through the Portuguese stages have been accompanied by a huge unknown and tangent often epic and tragic. From the already mythical lunar landing (it’s hardly credible that his head was in any earthly whereabouts) of the singer in Blah Blah in Matosinhos in 2003, when 20 minutes came to a concert-disaster when the songs they walked to struggle with alcohol and both fell by KO, the latest failed presentation of the album Sun in SBSR 2014 festival, where it was forced to act late and with a reduced alignment drastically due to the effects of torrential rain which launched chaos in programming Meco.

With Cat Power never knows what to expect. But the unexpected is part of an involuntary charm. Chan Marshall is a kind of magnet that attracts extreme situations or who – is also a hypothesis – has the ability to turn any event into a story as dramatic as delusional. Take Sun for example. His latest album, released in 2012, was born of a bewildered reaction to the response that had its publisher to the first models that presented. “They said very negative things about all the songs that had written to the disk and then lay them off and started again from scratch,” recalls the Ípsilon by phone two weeks before performing this Saturday at Centro Cultural de Belém, Lisbon, Sunday at the Hard Club, Porto. “That day I felt a thousand arrows sticking in the heart because that guy [the publisher] that was until my friend. I closed the notebook where I showed him the songs and never talked to him. “

Sun was therefore created in the middle of” pain of doubt about everything felt as person, as a woman and as an artist. ” It’s an album built on doubt and that it sinks avoiding the easy and obvious solutions. Cat Power wanted to get rid of the guitars and keyboards that were familiar to him and was looking for a sound that neither the singer knew how to recognize. I knew, instead, that violently rejected the publisher’s pressure to deliver a hit record and to deliver into the hands of “a famous producer”. “We still want to make the decision to do the shit I feel like doing,” he says past three years, with an irritation that say’s Eve. “I do not really want to go back to that charged pain of doubt and personal scrutiny or the sale of my editor when I needed their acceptance and support.”

The lesson Cat Power took the making of Sun was therefore to that is not to call into question their intuition. Especially because after this long, tortuous and difficult process for which was even dragged his love affair with actor Giovanni Ribisi, completed before the album is completed, Sun was released and entered the top 10 Sales in the United States, unprecedented feat in Marshall’s career. By that time, however, I was already lying in a hospital bed, the hospital due to an angioedema. Although the causes could be several, it is sure that, in your case, the immune disorder that put her in intensive care was due to a peak of stress a result of trying to protect yourself from the world. When handed the disk, he lowered the guards and the body collapsed. “I was very sick because they do not believe me,” he insists.

At the same time he was hospitalized, barely able to breathe and she says, as she listened to the doctors discuss measures to save her lungs, I knew that Sun climbed to the top 10 through a friend. But even after high was quick to cancel the subsequent European tour due to “fight against angioedema” and its “bankruptcy”. Money was also sucked in the long months of composition and recording Sun . And Cat Power then had to devote to one of his talents that will equal one who puts the music service:. Survive

Little integrated
Product an erratic and a troubled adolescence and constantly shifting childhood – “I went through 13 schools in ten years, I moved a lot growing up in different cities,” says Marshall to Ípsilon – Cat Power has always felt the sidelines, someone whose integration capacity It was reduced and quickly overtaken by the relative comfort of solitude. After “stay at home of strangers, grow with strangers and be ridiculously dangerous situations as a child and having to survive in the midst of so much shit”, always bouncing around between cities in the southern United States, decided to go to New York alone, already clinging to music as insufficient means of survival. “Also there did not get me to integrate, was extremely poor, I had to steal food at grocery stores in order to survive, all because I refused to remain Southerner from a certain point of my life.”

No wonder, therefore, feline attitude and wounded animal that Cat Power responds to any hint of lack of confidence or interference attempt in his artistic life. Who uses music to stay alive, physically and mentally, is not really available to listen to that which creates is evil, that its truth does not serve, which can be improved to achieve this greater goal of having a hit record – the Whatever that may mean these days. Did not surprise too, so that despite the onslaught in New York have compensated when Steve Shelley, drummer of Sonic Youth, found Cat Power and assured her recording of the first two albums in 1994 – Dear Sir and Myra Lee , launched in the following years – Marshall has refused to surrender themselves to the enormous potential game-songwriter singer in the indie circuit in the 90 Instead, declined to obey the commandments a manager. Who sent in his career was just her. And it would be clear when, after the issue of What Would the Community Think , decided to eclipse and go to work as babysitter somewhere in Oregon, moving-after for a fifth in South Carolina.

Of course, it was short lived. Cat Power thought he could hide and give the world the same way he believed that the world gave up himself. “I reached the point of no longer caring if I could I integrate because it was anonymous and through the anonymity can be observed the world hear conversations and be in any situation that allows us to learn everything because nobody expects us to be interested, awake observers” he says. Then came Moon Pix (1998), recorded with the Dirty Three, a revival in their music abandoned the acid rawness of the early days. It was a first founding moment, which is why it has referred the Sun as an investigation into the hidden side of this album.

The discovery of a voice
Only later, however, with the second onslaught on tour The Greatest (2005) by failing to meet the financial conditions to follow for road with the original Memphis Rhythm Band, Cat Power says he found his voice. He spent that time in Portugal, microphone in hand and delivering the tools at Dirty Delta Blues Band, formed by people coming from the ranks of Jon Spencer Blues Explosion, Dirty Three, The Delta 72 and Lizard Music. Ie replaced this a light approach to music soul participation of extraordinary musicians who had shared the stage with Al Green by a group of people (also her extraordinary, or did not include Judah Bauer and Jim White) who started from the same misfit stance that has always been the essence of Cat Power.

“With the Memphis Rhythm was sober recently, was facing the world. Never before had seen the public because he lived behind my hair and my songs were not on my face, my body, how sexy could be if they were me taking a picture, “he recalls today. They were therefore potentially pop field; They were always a confessional unbridled report. And in this environment, it finally destrinçava guys in the audience, in which not guitar or piano created a distance with those who followed him, he felt able to sing, surrender and return to childhood, “when loved to sing small with four, six, eight years old and not more than that. ” “It was the best time of the stage of my life, there was no sorrow, pain of singing in public was not there and it was an entire happiness. It was this band of friends, who gave me a happiness that he felt when singing since I was eight. “

Now that returns to Lisbon to Porto the ground, something that regularly makes from 20 years now a mother of a six-month boy, now that is keen to talk about the candidacy for nomination by the Democratic Party of socialist self-styled Bernie Sanders, now that tells us worried monitoring that has made hunger strike musician and Luso-Angolan activist Luaty Beirão, now appears to us at the point where you can share with national stage half a dozen new songs, Cat Power accepts his place off-center and realized that possibly this is what unites its audience. “I see people in my concerts integrate with me,” he says. “I do not feel that is integrated in society, but I see that there are everywhere people aware that there is something very wrong with how everything works and how to tell us to feel, be, walk, think, dress, learn, speak , love. “

” This means that all won, “he concludes. This means that, at every concert, Cat Power believes that, in addition to the songs, there is a greater story to be told: a. A community of survivors

                     
                 

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Biennial of Contemporary Art Coimbra starts today to challenge the city – RTP

 The High, Sofia and University of Coimbra were considered world heritage site in 2013 and this inscription served as a motto for the opening of the biennial Anozero that seeks to be a response from the contemporary art to this distinction.
 

 In the first edition of the biennial, which ends on 29 November, will be more than 40 artists, including the Portuguese Julião Sarmento, Francisco Tropa, António Olaio or Rui Chafes, and international names like Americans Matt Mullican and Lawrence Weiner or Brazilian Adriana Varejao, who dialogue with the buildings of the city.
 

 At the event, will be present “various provocations” by contemporary art to be a “place of transgression,” reacting to a classification “is a somewhat conservative enrollment and Heritage crystallization,” he told Lusa Carlos Antunes agency, which considers biennial who runs a sort of “Trojan horse on the scale of the city” – a place of fracture.
 

 The event will take work and exhibitions in places as diverse as coffee Santa Cruz, the Botanical Gardens, the Science Museum, the National Museum Machado de Castro, the College of Grace or the Baroque Library.
 

 In City Hall, the sculptor Pedro Cabrita Reis deconstructed the temporary exhibition structure that was in that old refectory of the friars; the Private Examination Room of the University of Coimbra Angolan Binelde Hyrcan presents a parable of the socioeconomic conditions of their country; and Lawrence Weiner relates to a poem by Mallarmé in French General Library.
 

 The Baroque Library arise “provocation” as a piece of Adriana Varejao, entitled “Transbarroco” where nothing is explicit peaceful relationship between Brazilian artist with “the baroque and colonial dimension.”
 

 The event has a single 15 euro ticket.
 

 The biennial is organized by the Plastic Arts Circle of Coimbra, in conjunction with the University of Coimbra and the Municipality of Coimbra.
 

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Friday, October 30, 2015

Boy George because turmoil in ‘The Voice’ to say I’ve slept with Prince – Digital Journal

Boy George surprised everyone in the ‘The Voice’, which is sworn to confess already sleeping with Prince.

Source production told the Sun newspaper that comment caused such a reaction in the audience that the cameras were forced to stop recording. According to reports the press, the new juror would be discussing with Paloma Faith the importance of collaborations initiated during his career, when the name of Prince came up.

“I’ve done duets with historical names in music soul as Luther Vandross and Smokey Robinson “, have said Boy George. “Well, if we’re playing with great names of soul so I have acted with the Prince,” retorted Paloma Faith, to which the first replied. “Oh dear, forget it, I’ve slept with Prince”

The answer made the audience go insane, so that producers had to stop the program. “We did not want to believe he had said that,” said a source from production to Sun

“After he said that was not true, that only had posters of Prince in the room but the situation was already crazy ! ». Or Boy George or Prince reacted posteriomente.

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Polish court refuses to extradite Polanski – Journal News

Today 82-year-old Roman Polanski should have been present in the Krakow court on the morning of Friday, when the decision on the extradition request has been read presented by the United States, but according to “Associated Press”, did not attend. The decision was in its favor, but it is subject to appeal, says the “Guardian”.

Polanski was born in France and lived most of his life in Poland. It has even dual nationality. In the 70s, in a photo shoot fueled by champagne and drugs, was involved sexually with a 13 year old – one crime of rape. Logo at the time, occurred as the culprit among US courts and, under an agreement reached meet 42 of 90 days in jail. The day before the final confirmation of the sentence, however, fled to Europe. Since 1978, it is perhaps the freest and most famous fugitive to justice in the world.

Attempts extradition from France were not successful, since it is the country’s policy does not extradite its citizens. Six years ago, he traveled to Switzerland to receive a career award and was arrested under authority of the US arrest warrant. He served a short prison sentence and was released on bail, subject to house arrest in the Alps. A year later, it was released in the end, when the Swiss authorities decided against extradition. Now, however, Polanski has been in Poland, shooting a new movie.

Throughout this saga, never left the cinema. In 2002, he won an Oscar in 2002 for the film The Pianist and was nominated for two others, the films Chinatown (1974) and Tess (1979). His personal life also give a film. It is a Holocaust survivor and his wife, Sharon Tate, was murdered by followers of Charles Manson psychopath in 1969.

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Bryan Adams returns to Portugal in 2016 – Digital Journal

Bryan Adams will return to Portugal early next year.

The concerts are scheduled for January 25 in MEO Arena and 26 in the Multipurpose Hall of Guimarães. The pretext is new album “Get Up”, just edit.

Tickets for both shows will go on sale in the usual places from Monday, with prices from 35 euros. The last visit of the Canadian to Portugal had been in 2012 during the Rock in Rio.

Last year, Bryan Adams had patent in Cascais the exhibition “Exposed” of photographs of national figures of Jose Mourinho Ana Moura Gisela and John

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Apartment Jimi Hendrix will open to the public – TVI24

Jimi Hendrix The apartment where he lived guitarist US American Jimi Hendrix between 1968 and 1969 in London, will open to the public starting next year, refer to Associated Press .

The guitarist lived at number 23 of Book Street, which is located in the upscale neighborhood of Mayfer, next to the house where the composer Frideric Handel lived for 36 years in the mid eighteenth century.

The Handel museum, which has both properties, initiated last year rehabilitation works of the former home of the musician, a venture which cost about 3.3 million euros. The goal is to recreate the atmosphere of Jimi times.

“It’s hard to find another building in the world with such a large concentration of musical geniuses,” said Alistair Starnack, president of the museum.

The house opens to the public in February 2016 and tickets will be on sale from next Monday.

In 2011, the journal Rolling Stone regarded him as “the best guitarist ever.” Jimi Hendrix began his musical career in the United States, but shot to stardom after forming the Jimi Hendrix Experience, in London. He died in 1970.

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In Braga, all roads lead to the forefront – publico

                 

                         
                     
                         
                     
                         

                 

 
 

Hans-Joachim Roedelius, historical German electronic musician (on the kraut rock of Kluster and Harmonia groups), reached Braga few days before the start of Semibreve festival. Roedelius, to star in a commemorative special concert of his 80th birthday this Friday night, it was one of the strongest names in the first edition of Semibreve, in 2011, the organization confessed his fascination for a “peaceful festival.” “He felt that it was all very relaxed, everything went well,” recalls Antonio Rafael Machado, musician of Morta and one of the creators of this annual showcase of electronic music avant-garde and digital arts has won before the start of its fifth edition, an extraordinary relief in the international calendar

In Semibreve’s genesis was a factual finding of strong demographic growth Braga in the 80s and 90s -. agreement with Census 2011, the resident population amounts to over 180 thousand inhabitants – and the natural “technological talent, innovation, risk and bet on vanguard” that Rafael believes it is defining the city. In this factor acrescia the perfect juxtaposition that settled a peripheral through a festival dedicated to peripheral arts. With the most popular programming assured by the normal functioning of the Theatro Circo – also the parent of Semibreve – avenged the idea that outside the two large urban centers of the country there would be room for further impact of an event of these characteristics. From the beginning, so soon there was an avowed aim of “rub shoulders in quality, within available resources, with festivals and international”, showing that the size of the city was more attractive than a restrictive disadvantage.

It was precisely this attractive, which Roedelius identified immediately, to allow the Semibreve was imposed not only by careful programming but also for something, not surprising, was not the subject of any planning. “Since the first edition there is a general welfare,” admits Rafael Machado. “It has to do much with the city scale, because everything is so close, all trips are made on foot, artists are left to their will, artists and journalists have dinner together,” and the audience crosses naturally with the great festival figures attending the same spaces so they end concerts. It is this “spirit of informality and welfare”, but also against a particular community, which means that musicians ask to stay in Braga during the entire festival, not taking refuge at the hotel just leaving the stage, not leaving immediately, in many cases, to another stop.

The importance of this spirit in the construction of Semibreve reputation becomes evident when, a year in which the general passes increased from 150 to 400 and exhausted before even a few headliners were announced, the organization does know that Semibreve probably grew what has to grow with the introduction of several simultaneous shows. It is not lack of ambition, but rather of awareness that identity should not be endangered by the obsession of steady growth. “We are a producer of festivals,” stresses Rafael, “Some of us are musicians and this greatly changes the perspective. Everything happens in a happy to arrange logic. Adulterating up this spirit, which is only compatible with a small festival, we would enter a different logic we do not want. “Hence, in future editions, the model might be retouched, but with the concern not to jeopardize the outlined costume up now.

“It’s not really a private house party, but it’s the closest we got it,” says Rafael. After all, contrary to what is customary in Semibreve is normal to find the organizers sitting in the room to watch the concert, instead of delivered to a permanent stress.

Creative City
The apparent success of a small-scale festival, which in 2014 joined two thousand people for three nights, in concerts that take place in rooms whose maximum capacity is 897 spectators, also is measured by the broad international coverage by publications such as Wire or site The Quietus , or by Semibreve election as one of the 26 most interesting festivals in the world by Dazed and Confused and select the Resident Advisor as one of the 10 festivals required to visit in October. Rafael recognizes that the commitment to international communication was crucial for the assertion of Semibreve, while also acting as a facilitator of seduction to feature international artists. But also the local fruits are obvious: such proposals started to contaminate the regular schedule of GNRation room (in terms of concerts, installations, artist residencies or even the educational service), the creation of the musicians of the region and to facilitate the access to events for the masses, as the White Night.

will be here also undoubtedly an important contribution to a city with an ancient history asserts itself in contemporary creation and can now candidatar- with strong arguments in UNESCO Creative City.

                     
                 

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Thursday, October 29, 2015

Orchestra and Gulbenkian Choir debut work inspired by the “Book of Disquiet” – RTP

 The piece, entitled “The street of Douradores – litany of despair,” is interpreted by the Orchestra and the Gulbenkian Choir, under the direction of Joana Carneiro.
 

 The premiere of this work in Portugal is the first under the “partnership between the Gulbenkian Foundation and the Symphony Orchestra of the State of São Paulo, which provides alternating premiere of commissioned works for Portuguese and Brazilian composers,” according to Calouste Gulbenkian Foundation.
 

 In a statement issued by the institution, the Brazilian composer refers to the “Book of Disquiet” as “the soliloquy of Fernando Pessoa, incomparably denser in pain and beauty.” “I was imprisoned by the gentle and cruel seduction of that told me those pages,” says the composer, who recently celebrated 73 years.
 

 The world premiere of this work took place on the 30th of April, in Sao Paulo, Brazil.
 

 The concert program at the Gulbenkian – which will resume on Friday at the Grand Auditorium – which has as soloist soprano Dora Rodrigues, also includes “Danzón No. 2″ by Arturo Márquez, the aria Bachiana Brazilian n.º5 , Heitor Villa-Lobos, “Symphonic Dances” from “West Side Story” by Leonard Bernstein, and “Boléro” by Maurice Ravel.
 

 The Calouste Gulbenkian Foundation and the Symphony Orchestra of the State of São Paulo established in 2014, the partnership for alternating premiere of works by Portuguese and Brazilian composers, in both countries.
 

 The project will continue in 2016, with the premiere of a work by Portuguese composer Luis Tinoco, in Lisbon, the Gulbenkian Orchestra, succeeding later the Brazilian premiere, the Symphony Orchestra of the State of São Paulo.
 

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Irina Shayk realize another dream – Record

The dummy Irina Shayk is the latest ambassador of L’Oréal, thus joining the Karlie Kloss, Blake Lively and Natasha Poly. One would appear that left the former girlfriend of CristianoRonaldo “very honored”, thus having held another professional dream. In a video shared on social networks, the French brand describes the top-model as “fierce, funny and intelligent.” Adjectives more than enough to make the team. Irina also did not hide his happiness: “It is an honor to be ambassador for L’Oréal Paris and belongs to a powerful group, intelligent, hardworking and extraordinary women,” said

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Os Mutantes give two concerts in Portugal this year – Blitz (Blog)

Os Mutantes, historical Brazilian psychedelic rock band, give two concerts in Portugal later this year.

On November 30, the band Sergio Dias, formed nearly 50 years ago with Rita Lee and Arnaldo Baptista, touches the Warehouse F, in Lisbon. The next day, December 1, Brazilians are presented at the Hard Club, Porto.

The formation d ‘Os Mutantes that the Portuguese will be able to see features Sérgio Dias, a founding member, on guitar and Dinho Leme, which entered the band in 1969, on percussion and Esmeria Bulgari voice, among other musicians.

After marking the 60s and 70s with albums like the homonymous debut, 1968 or The Divine Comedy or Ando Meio Off , 1970, the mutants back to disks in recent years, with Hail or damper in 2009, and Fool Metal Jack two years ago

Tickets cost 22 euros in Lisbon and in Porto, ranging from 18 euros (in advance) and 20 euros (at the door)

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Rihanna returns to theaters Luc Besson film – Digital Journal

Rihanna is part of the cast of the new film by Luc Besson ‘Valérian and the City of a Thousand Planets “.

The announcement was made by the director on Instagram account. The film is scheduled to premiere July 21 next year.

In addition to Rihanna, participate Cara Delevingne, Dane DeHaan and Clive Owen. The story is based on a novel of the century XXVIII exploring the idea of ​​”time travel”.

Rihanna had already participated in the film “Home”, “Battleship”, “Annie” and “This Is the End . “

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New Harry Potter exhausts ticket – TVI24

Harry Potter (Photo reproduction XE7 & #; & # XE3; o) Tickets for the first season of play” Harry Potter and the Cursed Child “, which will take place between June and September next year, went on sale on Wednesday morning. But the demand was so high that tickets exhausted in less than one hour.

According to the Belfast Telegraph, the situation has generated controversy, as the large volume of buyers caused technical difficulties in the online ticketing system. After more than three hours in line, many fans turned out to not be able to buy tickets, and did not hide his dissatisfaction on social networks.

To address the situation, the producers decided to open a second sales period, which runs until January 8, 2017.

The cheapest tickets were soon sold in the first hour leading to the younger fans were unable to pay 350 euros for the front row places. Later, it was learned that several retail sites were selling tickets at prices that reached the 4000 euros.

The author JK Rowling announced last week that this is an official sequel. Designed to be assisted in two parts, on the same day or on consecutive days, at the Palace Theatre in London, the story takes place 19 years after the release of the seventh book, “Deathly Hallows.” The plot will focus on Albus, Harry’s son.

The play is based on an original story by Rowling, written by Jack Thorne and staged by Olivier award winner, John Tiffany. The first season will start June 7, 2016 and ends on 18 September.

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Wednesday, October 28, 2015

‘Coliseum will be the farewell of the GNR some issues with 20 or 30 years “- Rui Reininho (Photos) – The Ball

‘Coliseum will be the farewell of GNR some issues with 20 or 30 years “- Rui Reininho (Photos)

At 60, Rui Reininho lives week of anguish. Life does not run hurt you, none of this, but the experience gained by a successful career on the stage does not give you the peace of mind you would expect. Saturday night will rise with GNR on stage at the Coliseum in Lisbon, there to end the tour that marked the launch this year of the Black Box album.

“show days In still to be agreed with distress,” he admits to A BALL, bearing in voice and speech so much optimism about the energy that is recognized him. At 60, Rui Reininho still overwhelmed within concert day but lives happily. The new album and the scheduling of shows in Oporto and Lisbon Coliseum allowed him to discover that for GNR fans are not only very much alive, but also mobilize crowds:

“It is true. When we filled the Alvalade Stadium was a landmark on the national scene, but earlier, when only the Brazilian risked the Colosseum, also successfully did. It’s funny because I happened to hear things like ‘walk the GNR still’ just because we have not played in the Coliseum, even if we have given five concerts in the Lisbon region. ” By speech Rui Reininho, it is clear that the concert this Saturday is not any. It is special. Special, too, because it marks the return of the band to the elite stage, because it draws fans who were more distant. Which can then expect?

“From our black box, it is expected to be an open box, and is the culmination of a year of well-filled shows. The musical level, there is nothing like playing new songs, and will be in a way a farewell of GNR some issues with 20 or 30 years “replies, happy, confident that 2016 will bring news and strength to continue to produce new songs.

With Rita Redshoes and Thomas Wallenstein (Captain Fausto) beside him on stage, Reininho promises’ junction old themes as Post Modern, Men Out Alone and New People with more recent ones. “

The enthusiasm when he talks about “great news” for the next year is allowing you to meet the requirements. “It continues to require you to play the full 90 minutes, like when I was younger! In Porto we did over two hours on stage, which is of great physical and mental demand, because we have not Teletext use ‘plays at the same time trying to hide the surprises in store for Lisbon:

“In Porto we had a skydiver on stage, which was the Helton. It is our neighbor to the rehearsal room, and an extraordinary sympathy. Before going to stage, they were there to take him, and get him, and was with us. Now in Lisbon’m waiting for the response Julius Caesar, that in this music there is clubismos. “

The concert in Lisbon Coliseum ends the tour of the GNR and is scheduled for 22 hours. Tickets cost between € 22.5 and € 27.5

Photos Eduardo Guimarães / CAPhoto Training

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007 Spectre Counter reaches 6 November – Journal News

        
        
        

        

        
        
        

        

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