We left the creepy room. The film, the reception at the Théâtre Croisette, the room ‘Fortnight, where the world premiere of the first volume of The Arabian Nights , The Restless , took place yesterday . standing applause for several minutes to Miguel Gomes and his extensive team. Faces thrilled. A triumph of a gamble. The Arabian Nights does not look like anything. There are a few methods of Our Beloved Month of August and the souplesse Tabu but it is not there. It is truly a new object, different. We may say “innovative”? Perhaps this is the case … If the next two volumes that Cannes will see in the coming days are to level this is the case also to speak in one of the most beautiful pages in the history of Portuguese cinema. It is not at all an exaggeration and perhaps begin to think it was criminal the film (movies …) not have been entitled to Official Selection.
On stage, Gomes did not provide the film with one choradinho the Portuguese crisis and warned the room crammed it would start the “rock n ‘roll” .And The Restless has precisely one called punk-rock. wild Cinema cruising documentary and fiction, but then crystallizes a portent of satirical burlesque comedy that can lead to moving confessions of Aveiro unemployed or the stories of the “threshold of reality,” the Portuguese period Troika in 2013/2014. A “twilight zone” narrated by Scheherazade princess who tells the king crazy stories of a country in economic crisis for his life. But first, there’s the director, Miguel Gomes to flee the film and his team, distressed. Then the so-called “rock n ‘roll” as brilliant as the arch-tac-toe, capable of bursting giant whale coming unionists dream or imagine the Portuguese Prime Minister with a spell that makes him a permanent erection. Political film? It is not well there, despite premiere of order before the parliamentary elections.
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