Several initiatives to mark the date. In Lisboa Metropolitan Orchestra ends the integral interpretation of the Beethoven symphonies, which he’s been doing since Wednesday.
Several shows across the country, marked today, World Music Day, with the minister of Culture in Porto, where you watch, in the House of Music, a concert by the Symphony Orchestra of Porto, under the direction of Baldur Brönnimann.
The Symphony of the Port interprets the Suite no. 2 from Daphnis et Chloé, by Maurice Ravel, “Notations I-IV and VII” by Pierre Boulez, and the orchestral piece “the artificial Paradises”, Luís de Freitas Branco, and “La mer”, three symphonic sketches for orchestra by Claude Debussy.
Among other initiatives included the premieres of parts of Portuguese composers and a tribute to the pianist Vianna da Motta in Lisbon.
In the Terreiro do Paço ends today the integral interpretation of the Beethoven symphonies by the Lisbon Metropolitan Orchestra, directed by maestro Pedro Amaral. From 21.30.
The Classical Orchestra of the South (OCS), under the direction of Rui Pinheiro, the debut “Sospirando Silhouettes”, by Bruno Gil, in the Drama of the Figures, in Faro, a piece that is dedicated to the orchestra by the composer.
On the outskirts of Lisbon, in Carnaxide, the Chamber Orchestra of Cascais and Oeiras, conducted by maestro Nikolav Lalov, plays in by 18:00 at Auditório Municipal Ruy de Carvalho, and debuting the Sinfonieta no. 1 for classical orchestra, by Carlos Garcia.
In Torres Vedras, the Orchestra Ciudad de Granada, rises to the stage of the Cine-Theater location, to debut version for soprano and orchestra from the cycle vocal Book “Florbela” (opus 42b).
The version for orchestra of “the Book of Florbela”, from the poetry of Florbela Espanca, Nuno Côrte-Real, is composed of seven parts: “Exaltation”, “Trees”, “verses that I have made thee”, “This book”, “on A postcard”, “Gray”, and “To the death”.
In Lisbon, in the cemetery of Prazeres, where he was recently traladados the mortal remains of José Vianna da Motta (1868-1948), held a tribute to the pianist and composer, with the participation of soprano Elvira Archer, which will make the evocation of the musician, Maria José Borges, of the school of Music of the National Conservatory, the Quartet Lacerda interprets the string Quartet in g major, Vianna da Motta.
In the Palace of Queluz, starts the Cycle III Nights) — the Tempest and Galanterie, with the modern premieres of the serenata “L Endimione”, Niccolò Jommelli, by the by orchestra Divino Sospiro, under the direction of Mazzeo, and with the mezzo-soprano Lucia Napoli and the sopranos Milena Georgieva, Barbara Barradas, Margarida Pinheiro.
In Lisbon, the project Thrace — Sunday Morning Sessions, the initiative of four musicians, opens the cycle Songs of the World the season of Music Gulbenkian foundation, in the grand auditorium of the Calouste Gulbenkian Foundation, in Lisbon.
The project is composed by the cellist Jean-Guihen Queyras, guitarist, and player of the lyre in this project, Sokratis Sinopoulos, and the virtuous of the “zarb”, Keyvan and Bijan Chemirani, “whose fates intersected to create a song that reveals the history of Europe and the mediterranean basin through soundscapes that cross geographical borders and musical,” says the Foundation in a statement.
In Coimbra, the ” journey “Of Santa Clara to the Source of Love”, an initiative of the Choir of Old historic block in which participate in other choirs and musicians of the city, celebrates the milestone
“Let’s, for the second consecutive year, to perform a route by the historical heritage of Coimbra”, said to Lusa the president of the Old historic block of the University of Coimbra, José dos Santos Cabral.
The cellist Filipe Quaresma plays in the Cine-Teatro de Sobral de Monte Agraço, at 21:30, in the framework of the programming of the intercommunal structure Artemrede-Theatres Associates, where she presents the program of his latest album, which he recorded live at the Casa da Música, in Porto, in 2014, and further includes the first suite by Johann Sebastian Bach for cello solo.
The program is in the pieces of contemporary composers, Miguel Azguime, “Moment à l extremement for cello and live electronics”, by Carlos Azevedo, “Labitintho”, of Nuno Côrte-Real, “The bike of the poet”, and George Crumb’s “Sonata per violoncello solo”.
No comments:
Post a Comment