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| photo Reinaldo RODRIGUES / GLOBAL IMAGES |
In the same document, official source channel reports that the journalist is not absent from writing . “It has been in regular studio, but is to take daily, morning to night, the Deputy Director of functions of this season,” reads. So “is at least ridiculous to say that the journalist has been removed by the direction to which itself belongs” he said.
The title was announced today at the Children’s Book Fair in Bologna, Italy. “The papyrus Caesar” is the 36th adventure of the hit series “Asterix and Obelix”, created by René Goscinny and Albert Uderzo. This new volume, however, will be written by Jean-Yves Ferri and Didier Conrad.
It is not the first time Ferri and Conrad signed an adventure of small (but strong) mustachioed heroes. The last volume, “Asterix among the Picts,” published in 2013, was also designed by the illustrator and French writer, the first in which Uderzo did not participate.
“The papyrus Caesar” remains unknown and sharpens the curiosity of fans BD series, Éditions Albert René but the publisher has advanced this 36 volume tells a story “complex and throbbing” which refers to the present and in which abound new characters, fights and of course the magic potion .
Uderzo and Goscinny revealed Asterix in Pilote magazine in 1959. Asterix and Obelix are inseparable friends. The first is small and has blond hair and mustache. The second has a mustache and red braided hair is big, clumsy and has a disproportionate force to have fallen into a super potion cauldron as a child. The two live in a small village stubbornly resisting the military attacks of the Romans, all thanks to this magic potion that Obelix fell, invented by Panoramix druid, which gives supernatural strength to all the villagers.
first book of the series was entitled “Asterix the Gaul”. Published in 1961, conquered the world, selling more than 350 million books, translated into more than a hundred languages, including Portuguese and Mirandese.
The partnership between Uderzo and Goscinny ended in 1977 with the death of writer, but the name of both was always kept in the signing of the stories. Albert Uderzo, 87, withdrew from the series in 2011 claiming fatigue.
The last published volume, “Asterix among the Picts”, which had the trip of irreducible Gauls towards Scotland, sold about 5.4 million copies worldwide
Rodrigo Amarante and Benjamin Clementine will be present at the poster of the 21st edition of the Super Bock Super Rock, this year at the Nations Park, in Lisbon.
The poster 21st edition of the Super Bock Super Rock (RSBS) begins taking shape. Today, in a statement sent to newsrooms, the promoter Sound of Music announced two more confirmations: Rodrigo Amarante, “one of the main references of MPB today,” and Benjamin Clementine, “one of the great British revelations of recent times”
The Brazilian Rodrigo Amarante is the author of ‘Horse’ drive and despite the debut in his own name have been late, his past is already vast and influenced a generation “recent artists such as Cicero, Wado, Clarice Hawk, Mallu Magalhães, among others. “
” With Marcelo Camelo led the most iconic indie band from Brazil, Los Hermanos, after having worked on several discs of Devendra Banhart and created the Little Joy with Fabrizio Moretti (drums The Strokes), and Binki Shapiro, “said the prosecutor, who will be announcing the Stage Super Bock, July 18.
On the same day will rise to the Stage EDP Benjamin Clementine,” one of the English artists more cry has caused in recent times “but before age 20 was homeless in Paris,” playing in the most unlikely places to survive. “
But the return to the homeland over, almost miraculously, in that it is in the famous ‘Later … with Jools Holland’, even without any contract with a publisher, touching the subject title of your debut EP, ‘Cornerstone’. And from then on never stopped, and edited in January LP, ‘At Least For Now’.
The Super Bock Super Rock will take place between 16, 17, July 18, this year in the Park of Nations, Lisbon. Tickets are now on sale in the usual places. The pass for three days costs 95 euros and the daily ticket 50 euros.
The current director of Tate Britain, Penelope Curtis, will assume leadership of the Gulbenkian Museum from next autumn, as the PUBLIC had reported day 20. The news was confirmed on Tuesday in a statement by the Calouste Gulbenkian Foundation.
“I want to keep all that is good in the museum, I admire deeply, and while working for the museum to benefit from its potential and its context, a more comprehensive, especially in relation to the center of Modern Art, “says Penelope Curtis said in a statement sent to newsrooms. The Modern Art Centre is currently directed by Isabel Carlos, curator and art critic, who has been in office since 2009 .
The British of 53, who studied Modern History at Corpus Christi College, Oxford, and has a master’s degree and a PhD on post-Rodin French sculpture at the Courtauld Institute of Art, also says “feel excited to be the first foreign to assume the position of director of the Calouste Gulbenkian Museum “and also” the possibility of working in Portugal a strong institution that seeks new ways. ”
The name of British art curator and historian was chosen from nearly three dozen candidates for an international competition sponsored by the foundation to fill the seat left open with the output John Castel-Branco Pereira, who directed the museum from between 1998 and 2014. Your choice was made through an international competition that included the contribution of a British recruitment company specializing in the cultural area – Liz Amos Associates, which has its own Tate Britain among its main customers -. and a jury appointed by the Foundation, whose composition has not been disclosed
In the tender notice published in the site the Gulbenkian, it was stated that the future director would be responsible for “guiding the implementation of a management plan in 2017, will present a unified framework to support the Foundation’s activities in the visual arts and Decorative “. A formulation that seems to predict a very close relationship between the museum and the Modern Art Centre (MAC) of the foundation, something that does not exist today, and according to what we read in the site Liz Amos Associates about the contest has already taken very practical: Curtis will “additional responsibilities in fostering collaboration with the Modern Art Centre, in conjunction with its director, Isabel Carlos,” creating, “from 2017, a program interrelated exhibitions. “
” The vision and the curatorial authority of Penelope Curtis, as well as its high intellectual quality, will help to open a new cycle in the life of the Calouste Gulbenkian Museum, reinforcing its international dimension and its ability to intensify collaborations with major museums around the world, for example with the Tate, which has been early on a close and constructive partner, “said in the statement the Chairman of the Directors of the Calouste Gulbenkian Foundation, Artur Santos Silva, on this.
Most link between the Gulbenkian Museum and the CAM is something that Isabel Carlos sees naturally following the foundation of the administration’s decision to open a competition looking for a director for both museums . “The idea is a foundation that has a museum with two distinct poles museum – one for the founder’s collection, one with its modern and contemporary art collection,” explains the PUBLIC, “and in the future will be solved as well. It’s about a new vision for the two poles “, concludes.
Isabel Carlos, co-founder of the Institute of Contemporary Art of the Ministry of Culture (1996-2001), whose mandate was renewed in the foundation 2014 for a period of three years, welcomes with satisfaction the name of Penelope Curtis. “We have a relationship of great understanding and respect” mutual describes, “and I have no doubt that will do a good job at the Gulbenkian Foundation.”
The two museums, which are among the most important sector institutions in Portugal, add two different types of collection. The Gulbenkian Museum houses a collection of Sarkis Gulbenkian, about six thousand pieces ranging from classical and oriental antiquity to European painting of Manet or Turner, and pieces of jewelery and decorative arts; CAM is home to an important collection of modern art and contemporary Portuguese and also includes British art of the twentieth century and later.
The English musician, living in France, Benjamin Clementine, one of the great revelations of this year thanks to the album At Least for Now , was confirmed on Tuesday to perform at the Super Bock Super festival Rock on 18 July.
Further confirmation was the Brazilian Rodrigo Amarante, author of the album Horse , one of the most celebrated last year. The Brazilian also touches on 18 July, thus returning to the Portuguese stages after last year have acted more than once in Lisbon and Porto.
Now Benjamin Clementine is a world premiere. The singer, composer and pianist of 25 years is unique. In February, we wrote in the PUBLIC Ípsilon supplement that “especially live impressed by magnetizing presence by the great vocal lyricism, the hybrid music with anything from classical, jazz, gospel or light French song.”
His voice is majestic, sublimating autobiographical lyrics that speak of loneliness, and the music is timeless. Do not breathe the air of time. Create your time. You can name influences (Tom Waits, Nina Simone or Jacques Brel), but it is hardly believable that from them easier to place it.
In recent months was gaining more and more admirers. Just this Tuesday, Miguel Esteves Cardoso, devotes its daily news. He is English, the son of Ghanaian parents, but it was when he moved to Paris six years ago that began to make an impression, playing in the most unusual places. – Metro corridors, wedding parties or bars of ill repute hotels
Now debut in Portugal at the Super Bock Super Rock, which takes place on 16, 17 and 18 July in various spaces of the Nations Park in Lisbon, and this time confirmed names like Sting, Noel Gallagher, Perfume Genius, Blur, Savages, Florence & amp; The Machine or Franz Ferdinand.
What Edwin knew about life was to survive. In his mind did not fit dreams and days were spent looking for food for him and the mother and brother. Hunger stalked the corners of the straw hut in Kenya and he was hiding from her as he could – suck the stones was a form of cheating. But his luck changed because someone saw it otherwise. And it all started a dance. Now, the same fingers that gripped the stones today touch keys on a Bechstein piano. And his feet are no longer naked but shoes. With cleats. First at Benfica, now in Estoril, the kid 15 years talking like a grown discovered that he had a dream: to be a footballer. As Drogba.
A director, conductor, actor, military, a physicist, a mathematician, a writer and a concierge write to the Express on the eight candidates for best picture Oscar. After all, what is when the screen turns off?
In Portugal, dedication to the Mirandese language has its own name:. Amadeu Ferreira, the lawyer CMVM that – when everyone said that “it was an impossible madness” – found time to translate “The Lusíadas”, the “Message”, the four Gospels of the Bible and also two Asterix’s adventures to a language that belongs to a corner of northeast and Portuguese is spoken by less than 15,000 people. In late 2014 gave the Express what was to be his last interview. Died last Sunday and Thursday launched his biography, “The thread of memories,” with almost 800 pages.
The World Press Photo jury wanted to give the highest award of this year (and perhaps of all edition) to a photograph with “potential to become iconic.” The first image of this photo gallery, to be “aesthetically powerful” and “reveal humanity,” is what the jury was looking for. Photograph of a Russian gay couple, the winner is the first of 16 images from a selection where there Messi desolate, migrants in degrading conditions in the Mediterranean, the affliction of Ebola, like mysteries, etc. – are the contrasts of the world <. /> p>
It is not consensual, but it is unavoidable. Had majestic hairstyle and naughty tab, appeared to look killer and sassy pose. And left songs: some easy and some not so, sometimes predictable and sometimes unexpected, sometimes gentle sometimes accelerated. And he, Elvis, was born in January 1934 – for exactly 40 years, the eighth day. We have four texts about the artist:. Nicholas Santos, Rui Gustavo, Nicholas and Father João Cândido da Silva explain what they like, which tolerate and which do not support
Built in Viana Shipyards and thought to make the connection between islands in the Azores, Atlantis was refused by the Regional Government for allegedly not reach the desired speed. Counting the costs associated with contract dissolution, the loss amounted to 70 million euros. It has now bought the “bargain price” to change its name and be converted into a cruise in the Amazon. We made the last trip of Atlantis and we will show you the ship’s secrets.
The comedian Trevor Noah will replace the presenter Jon Stewart on the television program “The Daily Show” announced the North American channel Comedy Central.
“Perversely funny,” Trevor Noah has a “talent huge “and is a” fresh voice “. This is how the direction of the station justifies the choice.
Born in South Africa, 31 years ago, the comedian has grown in the neighborhood of Soweto, outside Johannesburg, one of the bastions of the struggle against the regime of apartheid.
Trevor Noah account in your resume with a few appearances on “The Daily Show”, but is a relatively unknown face on American television.
It has the responsibility to replace Jon Stewart on the satirical news show that attracts millions of viewers every night, in the United States and all over the world.
Jon Stewart, of 52, announced last month that it will abandon the “The Daily Show” program which had since 1999.
The date of Trevor Noah’s debut will be announced shortly, according to Comedy Central.
Jon Stewart, who in February announced he will leave the host chair of The Daily Show, already has successor. He’s young, is not a US or one of the best known members of the team of the news satire program. His name is Trevor Noah.
“It is a privilege to succeed Jon Stewart. In the short time I’ve been in the program, he made me feel very welcome. I am excited to start working with him and with his fantastic group of people “, says Noah in a press release.
South African comedian, 31, Trevor Noah will lead a program that has a permanent place in American television for 16 years. Born in South Africa during apartheid; the father is a white Swiss and the mother is a South African of Xhosa ethnicity.
Noah began to act in their 20s in their country-crib. Arrived in the United States in 2010, having participated since then in some of the major talk shows of late night television: The Tonight Show with Jay Leno in 2012; the Late Show with David Letterman in 2013; and The Daily Show in December last year to talk about the reality of a South African man in the United States.
Despite all its exposure, Noah is little known in the US, filling one that is perhaps one of Comedy Central’s requirements, the TV station owner of The Daily Show, to lead the program. Craig Kilborn, the first presenter (1996-1998), and Jon Stewart, the second host (1999 below), were at the time of his debut on the talk show almost anonymous in the eyes of the American public.
The choice of Noah caused, however, some surprise, for he had been talk in names like John Oliver or Stephen Colbert for Stewart succession. Or even Samantha Bee or Jessica Williams, which would bring a female figure for the late-night hours of American television.
“Trevor Noah is a huge talent. Has an insightful and unique point of view and, more importantly, is wickedly funny “, says Michele Ganeless, director of Comedy Central said in a statement. “For the next host of The Daily Show, looking for a fresh voice that could speak to our audience on the day’s events with a secure voice; we found that in Trevor. It has many number of followers out there and is about to explode here in America. We are thrilled to have it now on Comedy Central , “he adds.
Jon Stewart shares the same opinion. “It’s a comedian and a tremendous talent who loved working … In fact, I might want to return to the team [of the program] as corresponding only to be part of it !!!” , said in the same statement ( Jon Stewart will at least continue the program production).
You answered the question about Stewart’s successor. Is to answer one: when Noah enters the program
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What Edwin knew about life was to survive. In his mind did not fit dreams and days were spent looking for food for him and the mother and brother. Hunger stalked the corners of the straw hut in Kenya and he was hiding from her as he could – suck the stones was a form of cheating. But his luck changed because someone saw it otherwise. And it all started a dance. Now, the same fingers that gripped the stones today touch keys on a Bechstein piano. And his feet are no longer naked but shoes. With cleats. First at Benfica, now in Estoril, the kid 15 years talking like a grown discovered that he had a dream: to be a footballer. As Drogba.
A director, conductor, actor, military, a physicist, a mathematician, a writer and a concierge write to the Express on the eight candidates for best picture Oscar. After all, what is when the screen turns off?
In Portugal, dedication to the Mirandese language has its own name:. Amadeu Ferreira, the lawyer CMVM that – when everyone said that “it was an impossible madness” – found time to translate “The Lusíadas”, the “Message”, the four Gospels of the Bible and also two Asterix’s adventures to a language that belongs to a corner of northeast and Portuguese is spoken by less than 15,000 people. In late 2014 gave the Express what was to be his last interview. Died last Sunday and Thursday launched his biography, “The thread of memories,” with almost 800 pages.
The World Press Photo jury wanted to give the highest award of this year (and perhaps of all edition) to a photograph with “potential to become iconic.” The first image of this photo gallery, to be “aesthetically powerful” and “reveal humanity,” is what the jury was looking for. Photograph of a Russian gay couple, the winner is the first of 16 images from a selection where there Messi desolate, migrants in degrading conditions in the Mediterranean, the affliction of Ebola, like mysteries, etc. – are the contrasts of the world <. /> p>
It is not consensual, but it is unavoidable. Had majestic hairstyle and naughty tab, appeared to look killer and sassy pose. And left songs: some easy and some not so, sometimes predictable and sometimes unexpected, sometimes gentle sometimes accelerated. And he, Elvis, was born in January 1934 – for exactly 40 years, the eighth day. We have four texts about the artist:. Nicholas Santos, Rui Gustavo, Nicholas and Father João Cândido da Silva explain what they like, which tolerate and which do not support
Built in Viana Shipyards and thought to make the connection between islands in the Azores, Atlantis was refused by the Regional Government for allegedly not reach the desired speed. Counting the costs associated with contract dissolution, the loss amounted to 70 million euros. It has now bought the “bargain price” to change its name and be converted into a cruise in the Amazon. We made the last trip of Atlantis and we will show you the ship’s secrets.
There are, however, a deadline for the final output Stewart, as informed the channel The New York Times.
There are 16 years ahead of ‘Daily Show’ comedian influenced a generation of TV presenters to create a format that stand-up comedy mix with editorializado news. It is considered the most influential journalist in the US and the main source of information for the public under 35 years in that country
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GREAT BROOK – The President of the Government opened today in the city of Ribeira Grande, the Archipelago – Contemporary Arts Center, which called for a joint effort to strengthen the tourism promotion of existing cultural products in the various islands of the archipelago.
“With so much cultural movement and with so much potential that can still be explored today we can be proud of the fact that not also be just a nature destination, a place of tranquility and well-being, but also an archipelago of culture, “said Vasco Cordeiro at the inauguration of the new cultural facility, which resulted from the recovery of an old alcohol plant of Ribeira Grande.
In his speech, the President of the Government stressed that tourism cultural “grows around the world,” emphasizing that, in the Azores, there is “a whole range of attractions, from historical sites, archaeological, artistic works, museums, cultural centers, festivals, cuisine, crafts, typical cultural events, fairs and markets, traditional events, among many others. ”
“For all that, it’s time to call cultural agents in all areas and sectors, entrepreneurs and elected officials of our nine islands of the archipelago to help us facilitate this exchange between different cultures” Vasco Cordeiro said.
The President of the Government stressed that those visiting the Region is looking for new experiences, which is why “is greater takes effort than mere stroll through cultural entities, but actually induce knowledge calling for creativity and critical spirit of all “
As for the Archipelago. – Contemporary Arts Center, stressed that it must be assumed as an aggregator polo from different art forms, each with their characteristics and intentions own, allowing not only the residents but also visitors, contact with contemporary art.
This new space that will allow for networking and partnership with other organizations and cultural institutions, aims to promote the taste for art and culture in general, contact with the contemporary artistic production, the cultural education of future public, focusing among young people, the internationalization of regional artists through membership in international partnership networks, display and exhibition works of art, support for the creation in the provision of facilities and infrastructure for cultural production, among many other areas of intervention.
After pointing out that the realization of this investment in Ribeira Grande is more concrete evidence of geographical diversification of public investment, Vasco Cordeiro announced that this year, the Government is developing a defense project and enhancement of the architectural and cultural heritage of the Azores, which offers a wide range of works, such as the completion of the Public Library and Archive Regional Angra do Heroismo, the first phase of restoration and remodeling of St. Andrew Core Carlos Machado Museum or the intervention in the Conceição Palace in Ponta Delgada, for the House of Autonomy project, whose tender is already published in next week.
“But we will also invest in Santa Maria, in the museum, the tower and the airport of cinema, the Third in the old hospital of the Good News, Pico, in Santo Amaro, with the creation a Museum of the Naval Construction, where we also have to make the recovery of Espalamaca boat, among other investments in all the islands, “he said.
In his speech, the President of the Government considered, on the other first, that this new Contemporary Arts Center will give an important contribution to the contact with new approaches from elsewhere, it will be a meeting point in the middle of the Atlantic for the realization of artistic and literary homes and other exchange activities with external entities.
“It is in this sense that the position of the Archipelago between the continents of America, Africa and Europe, with particular attention to the regions of Macaronesia, is a capital gain invaluable to the Contemporary Arts Center will have to enhance for pursuing its internationalization objectives, “said Vasco Cordeiro
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It is difficult for the mystery of what was the life of Herbert Helder is esfume completely. Did not cooperate with the biographical attempts, not corrected, not amended, gave no clue, did not speak to reporters, refused meetings with readers, awards, mundanities. Almost unanimously considered the greatest poet of the second half of the twentieth century – and by some the greatest poet of the twentieth century, person included – Herbert Helder died last Monday, getting involved by a respectful silence. A private funeral, the family without paying testimonials and the very Porto Editora – group acquired the Assyrian & amp; Alvim, where the poet published for decades – sent a statement to the newspapers and said it would not speak beyond that
It remains his great work. – Modified each time Herbert Helder remade his anthology – the voice on the CD he read five poems of Death without Master and the last picture taken by Alfredo Cunha, at the request of the editor Manuel Alberto Valente, on 19 February. Even the original books, the author’s request, were printed in very limited editions, not satisfying the demand for a work that has become mythical, especially since 1994, when the poet refused to receive the prize person, one assigned consecration title by Expresso newspaper and the Unisys. “Do not tell anyone and give it to the other,” he once said.
His last interview was in 1968 and all subsequent attempts to approach by journalists would be rejected. José Quitério for many food critic Expresso years, says he met him at a get-together in a café in Largo da Misericordia in Lisbon. In 1992 (two years before denies Pessoa Prize) at the request of Procopio bar – one lander journalists annually organized a delivery of prizes to the field of culture personalities – Quitério commissioned by the owner, Alice Pinto Coelho, go to Coffee deliver Herbert Helder distinction in poetry category. “There caught in said figurine, very heavy, and I went with him, knowing that he did not like prizes. I told him that was one thing to take a joke, but even so, he refused, nor wanted to see. So I went carrier Procopio the premium for Espresso and back, “says Quitério.
José Quitério, now 72, recalls having met the poet, by then a well respected figure, more old, as the mentor of the informal get-together that aggregated from 16h at Café Express, in the Misericordia Square. “He came from the Assyrian & amp; Alvim, where would talk to Manuel Herminio Monteiro, the editor who has since died, and stood there talking until about 19h. From there down the walk to the Cais do Sodré and caught the train to Cascais, where he lived. ” Many of them draw a picture of a dour figure. Quitério, who accompanied him, not part of the inner circle, for ten years between 1984 and 1994, prefers to define it as “airtight in writing but very friendly and very sense of humor.” Recalls that for the Anthology of English Poetry – Edoi Lelia Doura, commissioned by Herminio Monteiro, Herbert Helder included the poet Antonio Hook, “a type that was truly crazy and to many, the craziness, invented the Herbert Helder you stole the poems . And there he put up with it to laugh, “he says.
Moreover, Quitério, former archivist who keeps records and clippings about writers he admires, and autographed books by the poet states that Helder is much quoted” but maybe little read. ” “One begins to scrutinize, as they say Stinky Cat, and people only know a line or two. Because it’s not an easy poetry. Many people know the ‘If I wanted to go crazy’ and ready, “quips. “I can not believe he wanted to be damned writer. It was not a Luiz Pacheco. “
Luís Oliveira, editor and owner of Antigone, met Herbert Helder in the early 60s, when the poet worked in the service of mobile libraries of the Gulbenkian. Later, accompany you would at Café Monte Carlo, in the Saldanha area, a meeting of a group that included the poet António José Fort, Carlos Oliveira, Augusto Abelaira, José Gomes Ferreira, José Cardoso Pires.
Luís Oliveira, founder in 1979 of Antigone, a profile anarchist publisher, has since been friend of the poet. And maintains that although Herbert escape “the noise, spectacle and not waste time with banalities,” did not live isolated from the outside. “It was very informed. In our conversations spoke a lot of books, but also the state of the world. “
Recalls nevertheless that” it was always an anxiety about death that was managing. And sometimes had deep depressions. ” Not surprisingly, much of his work is marked by death. And the last book of original, Death Without Master, published in 2014, a farewell and a swing, it’s about the inevitable end.
Carlos Ferreira da Veiga, Theorem editor, crossed the life of the poet when he returned from Angola in the early 70s What about depression facet recalls that the poet “did psychoanalysis for a long time.
First with Fernando Medina, doctor Miguel Bombard, who committed suicide, leaving many orphans writers, and then with Eduardo Luis Courtier. ” The comings far between the office of Eduardo Courtier, which could be from month to month, they balanced it, but not a departure from “obsessive idea of death which, incidentally, goes through in his work.”
Alongside this dark side, closer, which, it is said, have been motivated by his mother’s death when he was eight, a loss ever noticed, Herbert Helder could be a great conversationalist. “Very austere era. Booked with friends, no. Was to talk a whole afternoon. I remember that when I met him we were hours talking about a work of Mario Vargas Llosa, “says Carlos da Veiga Ferreira, one of the occupants of the Herbert Helder coffee table.
It was in Monte Carlo Herbert Helder found landlord after returning from Angola, where he was a reporter in news magazine in the early 70s was an Indian, Miranda name, coffee goer and rented a part of your home, a huge apartment in Street Victoria Beach, nearby, where the poet and the woman would live. “The negotiations were so complicated that the Miranda asked, ‘O Herbert, you do not want to kill me, do you?’. . And never gave him the key to the mail to be able to intercept possible letters of conspiratorial content “
Spartan spending, frugal in food, sedentary habits, had only a compulsive addiction: buy books. “Very frequented the French Library and followed everything that was published.” Traveled almost nothing in recent decades and Madeira was once, at the insistence of Herminio Monteiro. “It was a day and returned the other,” says Veiga Ferreira.
The available biographical reviews give you sometimes Romanesque details, especially between 1958 and 1960, years that have lived in Belgium, France and the Netherlands having allegedly been vegetable cutter, workers in the cooling ingots, packer scrap of paper and most extravagant of all, in Antwerp, sailors guide to the brothels. “I do not know if many of these jobs will not be invented,” said Carlos Ferreira da Veiga.
Perfectly established is born in Funchal on November 23, 1930 and attended the 1st year of law in Coimbra, having changed between 1949 and 1952 for Romance Philology. Both in Portugal and abroad had several jobs – many were never professions. In Angola worked in news magazine and report suffered a major accident traffic accident which left him between life and death. In Portugal, the news editor of the National Radio, worked at RTP. Was editorial director of Print, where, according to Carlos da Veiga Ferreira, directed the Book B collection (some booklets today of worship, small, black cloak, austere, without illustrations), where fantasy literature titles were published, including Edgar Allan Poe Oscar Wilde, Ambrose Bierce.
Veiga Ferreira recalls that the poet also worked in the studio of the renowned architect Conceição e Silva, accepting print a poem of his on the wall of a record store in Cascais, the Valentine’s oak, “which earned him the then large sum of 30 tales [equivalent to 150 euros].”
Over the past four years has lost the habit of cafes, hardly left the house and the books were you delivered at home, in Cascais, where he lived and where he died on Monday 23 March, aged 84, of causes that were not disclosed. After the Espresso, the last resting place off the Galician Tasca, in Escadinhas the Duke, leading the Largo da Misericordia Rossio. “I left to see it. Left to leave home. We spoke only on the phone, “says Carlos da Veiga Ferreira, who considers” to great scandal of many people, as the greatest poet of the twentieth century, even with the person “.
The poet and professor Nuno Judice recalls having lived with Helder in the 70s, at Café Monte Carlo: “He has an established figure, I much younger. I and a group of students were accepted into the group because Herbert was very curious in our anti-regime activities, though not militant of any movement. Had an anarchic relation to politics. “
In 1972, with the publication of The Poem Notion, Júdice is replaced by poet status, belonging both to the direction of the Portuguese Writers Association, of which José Gomes Ferreira was president. Herbert was still a “tutelary figure” to the younger generations, both for its “imposing figure, with a beard and a voice that was necessary” as its literary production. Steps in Volta (1964), considers Júdice, “was the book which he left the transformation of literature. It was a completely unprejudiced book, made with immense freedom. “
In recent years, Judice says the poet won a mythical dimension, by refusing premiums and cultural role. And, “as Rimbaud, who fled to Ethiopia”, also having insulated to “live solely for writing”. Completed his work, “it was only without master, who did not come from a school”, also leaves no disciples, in the opinion of Júdice. “I can not say that it is ‘the greatest poet’, because the twentieth century Portuguese is full of big names. But Herbert Helder has a distinct status and is not copyable. His world is very complex, with a metaphorical hand that is not easy to imitate. And the poetry that now arises is very shallow in this regard. “
The author of a doctoral thesis on the poet defended in 1979 at the University of Sao Paulo and would be published in 1986 in the Portuguese National Press / House Currency titled Alchemy Language: Study of Cosmology of Herbert Helder Poetics, Brazilian Maria Lucia Dal Farra considers: “The work of Herbert is, for me, what’s more unique, devastating and giddy in Portuguese literature after Person. After Herbert, poetry is something else: no one goes unscathed by it. It is both a work so lovely as slippery, a ceaseless stream poetic because it never ceases to happen and to renew itself and to transmute every reading. The best word for it is hypnotic. The amazing thing is that she does not wear out, fueled by a very own internal fuel pure genius and talent. It is striking how a tractor mat and at the same time delicate, captivating and as startling as a field of lavenders and silent desert. “
While in Brazil Herbert’s work is, according to Dal Farra, well known and admired for a long time, only in 2000 was there published the first book of the author:. the anthology The Body The Luxury The Work, in which Dal Farra signed the postscript
The publication came about thanks to a contact Brazilian journalist Jorge Henrique Bastos, who lived in Portugal for 16 years and suggested to the publisher Illuminations project to do an anthology of Portuguese poet. “Although it was known, no publisher or even the so-called ‘Lusitanists’ Brazilians had dared to publish,” says Jorge Henrique Bastos in response to an email SUN. At the time, the Brazilian journalist still lived in Lisbon and made the bridge. “The Herbert gave me the freedom to choose the poems, and the final selection had endorsed him,” says Jorge Henrique Bastos. The book would have two editions of two thousand copies and obtained an “extraordinary reception,” according to its coordinator: “All supplements gave wide coverage. I remember the Folha de São Paulo, State of São Paulo, CULT, Bravo made whimsical issues highlighting the launch. The most beautiful tribute was made in the Globe, gave cover of Prose & amp supplement; Verse. “
While the tributes that did not need the poet’s collaboration were possible, those requiring their agreement ended vetoed. Even in Brazil. Dal Farra recalls that she and the director of the Journal Camonina the University of São Paulo, Maria Helena Cunha, tried to create a new magazine in Portuguese poetry section. The name would be ‘Camões From the Herbert Helder’. “But we could not do it without asking your permission,” says Dal Farra. “He answered quickly and very mad at me for daring to put him to Camões high – and dismissed the idea, asking me to stop nonsense and forget about it. So I did not contradict him. ”
telma.miguel@sol.pt
PSD wins elections with an absolute majority – Manuel Albuquerque is the new President of the Regional Government of Madeira. The Social Democratic Party won the regional elections with an absolute majority, gathering 44.33% of the vote and elected 24 deputies, one less than in the last elections.
The CDS-PP remains the second political force, collecting about 13.69% of voter preferences. But the Socialist Party, which competed related to three other political forces – PTP, PAN, MPT [coalition `Mudança`] 11:41 won% of the vote.
The big surprise was the movement Together the People (JPP) that gathered 10:34% of the vote.
The abstention stood at 51.28%.
In these elections, convened following the letter of resignation of Alberto João Jardim thus closes a chapter of about 40 years in power of the autonomous region, were to vote 11 political forces, specifically eight parties (PSD, CDS, BE, JPP, PNR, BUT, PND and PCTP / MRPP) and three coalitions – Change (PS / PTP / MPT / PAN), CDU (PCP / PEV) and Citizens Platform (PPM / PDA).
Results:
PPD / PSD – 44.33%
elected Members: 24
CDS-PP – 13.69%
elected Members: 7
PS-PTP-PAN-MPT – 11:41%
elected Members: 6
JPP – 10:34%
elected Members: 5
PCP-ENP – 5:54%
elected Members: 2
B.E -. 3.80%
elected Members: 2
PCTP-MRPP – 1.69%
Members elected: 1
BUT – 1:34%
PNR – 0.82%
PPM-PDA – 0.71%
White – 0.87
Null – 3:40%
Voters – 49.72%
The night promised to be epic, if only by, that alone makes them unique concerts. The 20-year Moonspell career so announced.
After 15 concerts of the tour Exctint , the 16th, at home, and with the album in the top of domestic sales had everything to be memorable.
Outside the Colosseum minutes were numbered among reunions, laughter and conversation.
The opening of the doors, a pontualíssima form, as indeed press professionalism of promoter Everthing is New , gave up the 20 hours, peaceful but anxiously.
I confess that when I went and watched the room, I felt afraid that she did not compose, unfounded fears, since it is not exhausted, almost. The Colosseum was proudly full of fans and followers of what could be considered one of the best bands of metal of Portugal.
The concert began with the special guests and last minute, Bizarra the locomotive, which for about half an hour made us vibrate and yearn for the most anticipated of the night
The band Rui Sidónio played songs from his latest album, such as “Fever of Icarus”, “Mortuary”, which featured the lead singer of entry to to the public, this input that would repeat two more times during their performance, as an exception in the repertoire for the beloved “Angel Exile”, which shares the stage with Fernando Ribeiro a great demonstration of complicity between musicians, this complicity that would come to repeat later.
The performance ends with the theme “Beetle” from the album “Bestiary” with the public in full apotheosis with the band. The feeling was, already after the famous selfie , was a desire to “want more”.
We continued then the band responsible for the 1st part of the evening concert, the Septicflesh the Greek band of Symphonic Death Metal .
I confess that not knew who was curious to hear the sound. It has very interesting variations between the sound heavier and hard and the rifs Guitar quite harmonious.
They kept constant communication with the public as they went and acting in the range of each song .
They heard songs like “Dracula” from the new album “Titan” and here noted to be quite sound changes that speak up, “The Great Mass of Death”, “Prototype” “Anubis” song dedicated to both Moonspell as the audience at the Coliseum, ending the performance with “Prometheus”.
Their performance must say that I noticed two parts, those who were thrilled with the issues and that kept in unison with the band and those who in the course of action were losing interest … In the aftermath I can say that there was a decrease energy and a feeling of not quite knowing what it felt like in the course of Septicflesh show, at least in galleries where I was.
The long awaited evening concert began at 23.05, and pontualíssimo expected, with the entry of Moonspell members and for about 2 hours adrenaline was a constant.
The opening took place with “Breath” and “Extinct”, the new album themes, national sales top. Continuing with “Nigth Eternal”.
And although 20-year career was unable to compile a night, the journey along the memories of “Moonspell” were apotheosis as in “Opium”, “Vampiria” “Ataegina” and the beloved “Alma Mater”
Night Surprises:. the entry of the Italian singer Tristania, Mariangela Demurtas in “Ravew Claws” and repeated complicity and delivery Rui Sidónio in “In the name of fear.”
The night was already long but the will to finish was nil at the Encore was immediate this time with “Wolfshade” and “Mephisto “ending the night in full and healthy madness with” Full Moon Madness “with Fernando divided the battery with Mike.
We can only thank the delivery of these that 20 years ago when they could only rely on fans , did not give to invent and reinvent and at every concert make us proud to hear them and share with them the same nation.
Our special thanks also to the Everthing is New that always welcomes us so well
It is an even longer with desires that are soon to meet again
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Observer by nature discovered early on that when he is not looking just discovered the world. Be the pen tip or lens camera like to show that sometimes goes unnoticed because we forget to live.
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