They can honk at home in the rotunda of the Marquis of Pombal. Dali did not hear anything. Left wing of the Eduardo VII Park (for those facing away from the Avenue of Freedom). The knock sit on the feet and chest. It is electronic. Become adults with cotton candy green, others lie on the grass reading the newspaper, the kids run and play in the park, parents and children play football, there is a picnic.
Then why all this: a stage. We are in Lisb-ON # Sound Garden, festival yesterday received the American producer of electronic Nicolas Jaar or so Portuguese Fandango (Gabriel Gomes and Luis Varatojo). Today will receive names like the Norwegian Todd Terje and his synthesizers and Portuguese Mr. Herbert Quain (name of a Jorge Luis Borges’s character), Manuel Bogalheiro.
Jonas is an aerospace engineer. Bought ticket for the two days (daily costs 25 euros) and had Jaar and Terje in mind when he did. The first is to imagine that will be the “most influential artist of the second decade of this century.” Jaar is a usual visit of Lisbon. Jonas recalls that the 25-year-old musician – son of Chilean artist Alfredo Jaar plastic – launched by surprise in June, their latest album, Pomegranates , on Twitter. Part of a soundtrack that made it to the Armenian film Sergei Parajanov, The Color of Pomegranates (1969). After a while, Jaar would dancing in a djset two hours that would open with The Vampire Zeca Afonso – song that already was accompanied by singer Gisela João – people who formed a long queue to enter the premises.
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