They played at the same time Dan Deacon, the best concert with 10,000 people that night. It’s lovely, Dan, is 33 years old and came to the Spring introduce new shafts IDM, where it controls in hand and an archipelago of colored threads and buttons with the three elements that stirs the public: the growing, pause, and then the explosion. It is fatal to contemporary electronic dance, with absurdist slices and a whole figure is Dan Deacon, red shirt and white stripes to the tent, shorts, red socks pulled up and the air of a Maryland math teacher who came on vacation and He decided to untie the blaring orders for dancers. And he did a number with a drunk apron lost another planet. The Palco Super Bock was full and thanked the dance floor, thirsty who had been with the Ride.
I’m not sure that Ride, shoegaze British archeology and nostalgia played live exactly as we would expect them to sound when we heard 20 years ago, it was a mistake, but there was a higher Stampede Stage IN on the My Blood Valentine 2013 (what a glorious apocalypse was MBV, remains the best ever in the history of Spring). As Damien Rice called to the end five times more people, he was the most unexpected night artist before Underworld and another time warp which closed the main stage.
The following were jewelry, all deserving theft attention. The KVB: kraut ghosts, Curtis and drone art noise outputs, Nick Wood, tangle on guitar, fuzzy and expressionist, and Kat Day a monumentally short miniskirt, high peeping toe sandals and a better backlight legs Spring 2015 nights , the keys) with a colossal sound in ATP
Health:. are close cousins of Crystal Castles but his jet California, LA, is bigger and brings drónica energy and command the neonoise. “Death magic”, the new album coming out in August for dance floors with barbed wire made of ice white neon is an exhilarating drive if what we hear there.
Pharmakon, brutalist design of the new noise -iorquina Margaret Chardiet, who fought Underworld, has two records: it was the youngest, is 22 years old, and was within sight, less than 300 people in the Pitchfork tent. Your soil is fierce and draconian, almost grotesque, but terribly romantic and abandoned, haunted her to confront the whole stage, blonde hair Poltergeist possessed to cover his whole face, to bluster the cataclysm and the fear that comes in veins, till you drop among us. Apparently this is what happens when you take babies to see concerts of Nausea and Dead Boys. It was a lovely haunting -. JMG
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