Work with the Rivoli enters the final months of 2016 are not only facade – there is also action in the air conditioning system – but in this which is the main, and certainly the most iconic, the two cores Municipal do Porto Theatre (TMP) no major adjustments to make, at least until the end of the year. The season presented this afternoon at a press conference maintains the essential elements of the program that Tiago Guedes there has put in place since his arrival in the city, as stressed by the mayor, Rui Moreira, also holder of the portfolio of Culture: “The next four months reflect the same international dimension we want for the project and the same sense of connection with the artists and the city companies, “he said, adding that the TMP will continue to invest in creation, involving root as co-producer in gestation new shows (will be 16 new season co-productions, 12 of which have local structures), and to join the proposals of external agents, which, Porto Queer to marionetas Harbor International Festival (FIMP) Festival Porta-Jazz to Porto / Post / Doc, give special corpulence the agenda in September-December.
With 73,000 spectators already recorded since the beginning of the year, the TMP will show until the end 2016 over 50 performances, opening the season already on the 16th, with the premiere of Mozambique , a theatrical exercise between documentary and fiction that puts three of the members of the Flying suitcase to invent a biography alternative personnel – and a national alternative narrative to the country Portugal decolonized in 1975. the very next weekend, week, 24, Rivoli receives the first of three international choreographers of the last four months: the Israeli Emanuel Gat, that there will present in national premiere Gold , the part built from the Goldberg Variations Bach as Glenn Gould recorded them before he died and the Quiet in the Land , the radio documentary with the same Gould portrayed in 1977 one Mennonite community in Canada. , To follow until December, shows the Belgian Lisbeth Gruwez, interpreter fétiche Jan Fabre whose choreographic work has not yet been presented in Portugal (will Oporto, November 25, Ah Ha , where puts in scene bodies transfigured by the runaway and the violence of laughter), and the French Boris Charmatz that adapt Manger the third floor of the Post Office Palace, one concrete space in which reverberate “guts” ( we quote Tiago Guedes) from 12 performers of this piece ambulation.
as in previous seasons, the Portuguese dance also takes plenty of pages of TMP schedule, this time with new creations of Victor Hugo Pontes, Unison (7 and 8 October), forcing the tension between the individual and the collective in a group piece, Joan Providence, Shockwaves (28 and 29 October), meditation on life poverty line, and Marco Ferreira da Silva, Iris (December 17), a blind date with director Jorge Jacome – also Vera Mantero will come to Rivoli present his last piece, the Clean and Dirty , another co-production TMP. In the theater, more co-productions and more Portuguese: ZULULUZU , the visit of Prague to South Africans of Fernando Pessoa, arrives at the Rivoli on 30 September, after the national debut in St. Louis; The Fisherman João Sousa Cardoso, a result of a residence in Vila do Conde in the Circular – Performing Arts Festival and a free immersion in the homonymous work of Raul Brandão, debuts on 17 November , soon followed, only one day later, by What Am I the Rogue , the Experimental Theatre of Porto; . And the reunion d’The Good Girls with director Rogerio de Carvalho and playwright Howard Barker, Und , down to the Small Auditorium December 15
But this will also – and – one quarter of festivals. The third edition of the Future Forum, a major operation invented by Paulo Cunha e Silva to annually cross the various areas of thought and art, there will be news in early October. By that time (5-9 October), the TMP will be receiving for the second consecutive year, the Queer Port 2, after the “big blockbuster” of the 2015 experience: more than an extension of the Lisbon festival, It will again be a project tailored to the city, which is why several portuenses artists were challenged to create a work for each of the films to show in the cycle new Queer Cinema . It follows, 14-22 October, FIMP, which again will make its headquarters in Rivoli, where as The Simonides Secret , from collectors Rachel Andrew, winner of the bag Isabel Alves Costa, was found in the Alto Minho, as well as Kitsune , the Puppet Theatre of Porto, and the long awaited show closing, the Convention ventriloquists , Gisèle Vienne, reconstituting a real convention that every year takes place in Kentucky; Looking Lem , the Iron Theater, will premiere at the pole Campo Alegre. More festivals in TMP: fifth edition of the Family Film Project, with John Canijo as guest director (9 November), and the third of Porto / Post / Doc (November 26 to December 4) and Porta-Jazz Festival (7 and 8 December).
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