The Thunder & Co. didn’t size the desert. There are more photographers in search of the right angle of that those who forget the dinner in the comfort of home. But it is Friday and there are those who do not quit properly the decent hours, or at least the hours of be in the Municipal Garden of Oeiras to attend the first concert of the Imminent. Only that this carriage electronic, pop on free transit through the new disk little you can do about it. We are trying to give good provision to that here is, can the Thunder & Co. and think well.
the following reach will have to find your corner, find your rhythm in this half-moon that involves the stage almost too shallow, the temperature of the audience. So starts the Impending, those who later join this party that merges art and music for sure yet will come in time. The dance only ends at 02h. Settle.
Next to the container furnished by the Halfstudio stands a wall of wood for those who want to leave their art. The cans are hand-sowing, lose the shame that in this festival there is no place for us to tuck — if you do, then show (a concept that is both utopian as cute). In summary: the Imminent is the right place to not have to plug the guy in time to hold the cans. The maestro of this painting is the various hands, and the large-scale is Gonçalo Mar, that attempts to make each language a whole.
Time moving to the other arts, some more audible, without the spray. The STICKS bring the rock to the equation, the nature comes to the surroundings, and the lights, the more the smoke that comes out of the stage, causing a scenario almost amazonian, without piranhas or humidity, at least that we have given account. As usual, the two batteries to the center, the synergy orchestrated so naturally between Hélio Morais and Joaquim Albergaria, we know where we are and, by what we keep for other occasions, we want to stay.
they Are already many more that which is now approaching the STICKS, and there emerges a misty environment of the fair, the fault of the smell of cotton candy, which devour to our side, to the rhythm of this dance required but that if it meets with the greatest of pleasures. If this was a fair there were so many people garments alternatives, intertwined in the hair, the carousel asks for things more traditional than the ones that the Clubs give us.
Miter album edited in February, still not tired of making hopping the country and its surroundings. Proof of this is the "Headquarters", "the one who unites us", that puts these people throughout, much of it still quite young, to sing. There to the end, rest assured that even for the STICKS, this was a fun moment, the night falls and there in the dub of "Mo People", a nickname that willingly accepts.
Then there are those who have privileged insight into all the grounds. We talk about one of the flamingos that Bordalo II gave birth on the banks of the Municipal Garden of Oeiras. Both saw Cocks as we are now seeing the BBG, DJ that takes account of the dance floor improvised, where before there were the bumper cars. Invejamo it, even for this. To be the front for the show, when a group of five children starts a small battle on the track and one of them even practicing some steps of breakdance, still early.
Nothing green have the Linda Martini, the shouting host when it comes to your time are more than sufficient to ensure. And soon comes the one rolling head, that slowness dormant, there come the riffs, the stridency warm your rock is the order to levitate. It is clear that know very well what they are, it follows, it follows that the rock is cycled.
The title track of "Sirumba", disk, recent, gets the Municipal Garden of Oeiras, singing in a choir serious: "I don’t want to be doctor". The increase of temperature, the whole cargo in time to devour the "Rats", a theme that has been timeless for your menu, which agitates this audience like never even here.
Linda Martini are in the house, in such a way that the other times that we cruzámos with them this summer the theme of the vineyard is almost always there to the end. "Youth Sonic", soon following, the album "House Occupied" (2010), smile infinite are the artists. As if it were still possible, surprised with such worship. "You know as well touch close to home, you know as well come from the train," he jokes Helium Moral in the pause for the appreciation.
Thank you also to those who now came to give another pint of this informal prom on the track of bumper cars. Now yes this is every man for himself, and if hip-hop continues in the old school this is still going to end up in confrontation. The choreography continues to Beat, even in the DJ set, go up to the stage. He or a mannequin that puts next to the table. Arm raised so is the figure without a face, "a DJ that has the added value of supporting a performance of the entire in this position". It was an experience that Pedro Coquenão wanted to do with the public. Because the studies say that people scream out each time that a DJ lifts the said arm. And shout, yeah.
Something that understands, especially when we were in a festival, experimental, with artistic events of various sizes. That also does not cease to be a good time to live, or to dance, in this case, it is the music of the Beat, this african heritage with a processing electronics. Still that Pedro Coquenão touch to hidden, with the console placed in a sidebar almost impossible to ascertain at this stage. If we were not good of view, almost we might say that this mannequin is a DJ amazing. There comes the "Bazooka", and the spree continues, this logic of confrontation with what surrounds us. The art is a marvel and continues until Sunday.
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