If a picture is worth a thousand words, “Behemoth” has the gift to tell us a lot in a few lines, to delegate the power of communication in the arid landscape, the inhumane labor activity and the dirty faces of those men, delivered the madness of the capitalist world, captured. Although the film was not going through and already felt the charred lungs of those humans, more dead than alive, anticipating what the final only confirms: illness, death, ghost towns. A hopelessness message, reinforced in landscape mirror images involving the apparitions of the narrator, as a reflection on the future of the barren reality of the present and its premonitory voice and denunciation.
“This film seeks beauty in hell, willpower under predominação structures, human frailty in the brutality of modern capitalism and make it through courage, of a poetic demand, generous and accurate , based on true working class heroes [heroes of the working class], “explained the jury during the delivery Grand Prix Porto / Post / Doc, Award Atelier des Créateurs, at the ceremony last night at the Rivoli Theatre.
“Behemoth,” a fair and undisputed winner, recorded in Inner Mongolia. The most beautiful movie we saw at the festival and in recent times. Also won the Award Teenage, assigned by a “hopeful jury,” said the festival director Dario Oliveira, consisting of thirteen students from various secondary schools in Porto, novelty of this edition.
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In seven days and to a finish, the Port / Post / Doc already had “a total audience of more than eight thousand spectators,” an “average of 100 per session, including several sellouts in every room, “according to its director, Dario Oliveira, who at the prize-giving ceremony was an” extremely positive results “of this second edition. In the year of the debut in 2014, it mobilized 6300 espetactadores, which is divided by ten days of programming on the same grounds:. Rivoli, Manuel Passos and Bad Habits
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