A short film – this time in late trading career in France to reach the 300 000 spectators – Fatima , Philippe Faucon, was the winner of the Caesars, the premiums of French industry: distinguished best film, still had the best adapted screenplay award (by the director himself) and the César for best female hope, Zita Hanrot. It happened late on Friday in Paris.
Filmed with non-professional actresses or that première in film, Fatima , disclosed in the Directors’ Fortnight in Cannes, was, However, considered the favorite. At least was giving rise to a small phenomenon of empathy between some of its competitors, many of whom assumed touched by the story of a woman, Maghrebi immigrants in France where he works as a maid, and the relationship with the two daughters of 16 and 19, already born in that country, and misunderstanding that divides, integration difficulties begin at home, where the models, references and self-esteem come into loss. Zita Hanrot, the award-winning actress – plays one of the daughters – the first black woman to enter his name in the history of the Caesars, which was welcomed by the Conseil représentatif des associations noires de France (Cran)
. Faucon, born in Morocco, adapted freely a diary and a collection of poems, Pierre à la Lune , Fatima Elayoubi, immigrant who arrived in France without knowing how to read or write, which was self-taught of overcoming ( is played in the film by Soria Zeroual also cleaning woman of Algerian origin, residing in Lyon.) With this film, the director still wants to shoot characters in the film mainstream forget, as he says. It is him, this former intern in the beginnings of Leos Carax ( Mauvais sang ) and end in Jacques Demy ( Trois places pour le 26 ), a movie called La désintégration (2012). Interrogating a process, a country, a model, the French Republic: the progressive rootlessness and sense of exclusion three young Muslims and their drift to radicalism. In 2015, with the terrorist attacks in Paris, the premonitory nature of the film was quite a few times underlined. Faucon says that a tree falling makes more noise than a forest that grows, this time with Fatima , wanted to talk about the forest – “integration”. Was one of the titles scheduled for DocLisboa 2015 Risks section.
One of the supporters of Fatima was the Moroccan Loubna Abidar, who competed as best actress for Much Loved Nabil Ayouch film that resulted from his meeting, empathic, with a group of Marrakech prostitutes. The film, which debuts in Portugal next week, has become a “case” in Morocco, with display ban and threats to the life of team members, as the very Loubna Abidar, which saw the exemplarity of Fatima , inside and outside the film, plus an incentive to overcome tensions that threaten this time its stability, as a woman, as an actress.
a group of girls and a society that imprisons, Turkish: Mustang , Deniz Gamze Ergüven, French of Turkish origin, was considered the best first film, took the prize for best editing, best music (Warren Ellis) and still the best original screenplay , produced by the director and Alice Winocour. Deniz Gamze Ergüven should have come out of the Caesars to the airport since Sunday will be in Los Angeles to compete with Mustang for the Oscar for Best Foreign Language Film (the movie is in theaters in Portuguese rooms.)
They and he
in a movie set where they play the possibilities of overcoming the female – even as “show”, see the case where trop , called Catherine Frot, who received singing the award for best actress for Marguerite , which plays a socialite who loves opera as a diva but it is an irretrievable vocal ruin – is even more singular loneliness of Vincent Lindon, best actor for La Loi du Marché ( repeats the feat of Gérard Depardieu in 1990: winners of the Cannes Golden Palm and César Award winners for Best Actor). The ceremony was them, the loneliness of it.
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