In “The Next Day”, Bowie returned to active. Now, back to the metamorphoses with an anti-rock opera that opens the door to a new anthology. “Nothing Has Changed” is the master of disguise in his best suit.
“Nothing Has Changed” is a titanic box, mixed introductory manual and definitive collection, which for Bowieómanos exhausted by the anti-opera rock orchestra conducted by Maria Schneider «Sue (Or In Season of Crime).”
In a collection of 59 songs. one just for food Bowie contradiction. If “The Next Day” marked the return to writing after ten years of hiatus, the single Anthology mark the difference. From the distant and experimental “Earthling” – the ultimate chameleon scale before returning to the initial skin classicist rock -. That was not playing hide and seek with the silhouette
“Nothing Has Changed”? Yes, since 1999, the year of ‘Hours’, the last great album and the first step in the conservative that slowly went away to play dead.
In fact, Bowie moved away from stage for health reasons. Undergoing heart surgery, withdrew from the public space and no longer palatable to the paparazzi. The biographer even claimed that only a miracle would come back and he is there to counter the logic.
First with “The Next Day” masterstroke manager’s original career, and Now with “Sue (Or In Season of Crime)”, returning to the game of disguise among the crooner and the narrator Nathan Adler’s magnificent ‘Outside’. “Nothing Has Changed”? Just for provocation. And Bowie returned to Relocate skin.
David Bowie
“Nothing Has Changed”
EMI / Warner
Davide Pinheiro
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